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Josh Brolin Says ‘Sicario 3’ Is “Happening” and Will Shoot “Soon” — But Who’s Directing?

This is a significant update for a project that has been stuck in development for years, and comes roughly a year after Brolin said “Sicario 3” was a maybe.

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‘The Odyssey’ Hits VOD, 4k Blu-Ray Release on November 17 — Exactly 120 Days After Theatrical Release

Nolan’s “Oppenheimer” followed a similar four-month window, landing on digital and physical media at the same time. Universal also waited until roughly a month before making it official.

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Box-Office: ‘The End of Oak Street’ Stumbles as ‘Insidious: Out of the Further’ Eyes $25M Opening, ‘Spider-Man: Brand New Day’ Holds No. 1

The big wide release this weekend is “Insidious: Out of the Further,” backed by Sony and Blumhouse. This is the sixth ‘Insidious’ movie, and since they are made cheaply, it won’t be the last.

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Michael Showalter Is Remaking ‘Serendipity’ for Amazon/MGM— But He Insists It’s a “Rebuttal” Not A “Remake”

Michael Showalter (“The Big Sick”) is teaming up with Amazon/MGM to direct a “modern retelling” of the 2001 romantic comedy “Serendipity.” Marc Klein, who wrote the original film, is writing the script.

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Peter Berg’s ‘The Mosquito Bowl’ Sets October 30 Theatrical Release, November Netflix Premiere

The theatrical rollout for “The Mosquito Bowl” is for Oscar eligibility, as the film will play in select AMC theaters during its run, along with additional locations across the country.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Neon Acquired Luca Guadagnino’s ‘Artificial’ in $0 MG Deal

July 6, 2026 Jordan Ruimy

Sources tell Page Six Hollywood that Neon only agreed to a deal for the Luca Guadagnino–directed drama with a “no money guarantee.”

That’s right—Amazon/MGM basically gave away “Artificial” for free to Neon and told the indie studio: do what you want with it, we wash our hands, and exit—this thing is your responsibility now.

Essentially, this means Neon did not pay the upfront licensing fee that distributors usually dish out to acquire a film. Neon will be in charge of paying for marketing and distribution (P&A), which can itself cost tens of millions of dollars, in this instance around $20M.

This means that, despite the weak financial terms, the filmmakers are relieved to have secured a distributor at all.

Was the “price” always a “no money guarantee”? Did the likes of Netflix, A24, Focus, and Warner Bros. all pass on this film despite it coming at basically no upfront price? That seems to be the case. Perhaps it should come as no surprise that Mubi was the only other interested party for “Artificial.”

Guadagnino, who is coming off “After the Hunt” (also produced by Amazon MGM), released last fall to largely negative reviews. His previous credits include “I Am Love,” “Call Me by Your Name,” “Challengers,” “Queer,” “Bones and All,” and “Suspiria.”

Neon confirmed they will be giving “Artificial” a robust awards-season campaign this fall. A world premiere at the Venice Film Festival seems like an inevitability.

← ‘Supergirl’ Crashes 77% in Second Weekend, Revised Box Office Drops to $8.6M [Updated]George Clooney Will Be Honored With Golden Lion at Venice Film Festival Amid Debate Over His “Movie Star” Status →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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