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The New York Times Is About to Buy Letterboxd for $330 Million

Letterboxd, the app where film Twitter went to live, is finalizing a sale to The New York Times in a deal that values the site at $330M, according to a report from, who else, the New York Times.

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Paul Giamatti Has Never Won an Oscar. That Could Change With ‘The Debut’

Let's get this out of the way: Paul Giamatti should already have an Oscar. He should have won for "Sideways," a performance the Academy didn't even nominate.

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‘John Wick’ Animated Prequel Greenlit With Keanu Reeves Set to Return

Lionsgate, continuing to milk the IP, has given the green light to an animated "John Wick" prequel, and Keanu Reeves is coming back to voice the hitman.

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Peter Farrelly Reveals Sylvester Stallone Has Seen ‘I Play Rocky’: “His Wife Cried the Whole Time”

So Sylvester Stallone has finally seen “I Play Rocky.”That's news, because up until now we had heard absolutely nothing about how Sly felt about Peter Farrelly's movie on the making of the 1976 classic.

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Paul Dano Shooting Pablo Larraín’s 1973 Chile Coup Drama ‘Once’ With Rodrigo Prieto as DP

“Once,” which Larraín describes as a “war movie,” is slated to begin shooting in the second half of 2026. A release next year via Netflix is being eyed for the film.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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David Ellison Is “Pretty Open” to James Gunn’s DCU Plans

June 23, 2026 Jordan Ruimy

Last year, Zach Cregger (“Weapons”) had sneakily shopped his DC project, “Henchman,” to Skydance/Paramount—even though James Gunn still had the authority to greenlight DC projects. This all happened at a time when many believed Paramount would win the bidding war to acquire Warner Bros.

Of course, Cregger’s move was seen by some as a backhanded slap in the face to Warner Bros., Gunn, and Peter Safran, who currently control which DC films get made—a decision they make after developing scripts to their liking. The situation wasn’t helped by a wave of viral rumors, later proven unfounded, claiming that Ellison planned to oust Gunn and Safran.

Fast forward to today, and in an interview with THR, Safran and Gunn seem encouraged by a recent visit Ellison made to DC Studios—one that appears to have been largely awaited for those worried about the future of their DC Universe.

Speaking while promoting “Supergirl,” Safran revealed that Ellison has already met with both him and Gunn and has been “pretty open to what we’re doing.”

He’s pretty open to what we’re doing… he’s a big fan, he’s been great with us. He’s giving us kind of what we want.

There has been speculation, and considerable fan concern, that an Ellison-owned Warner Bros. might pursue a different creative direction or view Gunn’s DCU slate as too risky, especially given ongoing concerns about box-office performance.

According to Safran, several key projects are already too far along to be significantly altered by Ellison. He pointed to films and series such as “Clayface” and “Lanterns,” noting that “the train’s left the station” on those productions. The broader implication is that the existing DC slate remains intact for the foreseeable future, with Gunn and Safran continuing to execute the long-term plan they launched with “Superman” and are expanding through “Supergirl” and other Chapter One projects.

The underlying concern, of course, is the possibility of Ellison and Skydance gaining greater influence over Warner Bros. Discovery. Safran’s comments were encouraging, but they offer no guarantees about the long-term future. If Ellison ultimately gains control, he could still choose to replace the current leadership or chart a different course for the DCU.

With “Supergirl” opening this Friday and potentially underperforming at the box office, who really knows what the future holds for Gunn and Safran? The next major test will be next year’s “Superman” sequel, “Man of Tomorrow,” and whether it can match the performance of the first film, which finished with a strong domestic haul but a more modest overseas tally, totaling $615M worldwide. Whether it can match those numbers remains to be seen.

← Glen Powell to Star in AI Erotic Thriller ‘Homewreckers,’ With Craig Gillespie DirectingRESULTS: ‘Obsession' Named Best Film of 2026 So Far by WoR Readers →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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