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The Debut’ Was the Toast of Telluride. Then the Rest of Us Saw It at TIFF — Moore Is Great, Movie Is Good

Eisenberg has made a surreal nightmare of a comedy, one that's a step up in polish. It helps that Moore is wildly unhinged here — this performance is something to see, and some of her strongest work in years.

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Jeremy Strong Went Full Zuckerberg on ‘The Social Reckoning' Set: “He Did Not Speak in His Own Voice”

Jeremy Strong is at it again. During the ‘Social Reckoning’ shoot he treated his co-stars "the way he imagined" Mark Zuckerberg would treat them. Strong, of course, plays the Meta CEO in the film.

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‘La Bola Negra' Wins TIFF 2026 People's Choice Award — Netflix's Best Shot at Best Picture Oscar

The 51st Toronto International Film Festival has handed its People's Choice Award to "La Bola Negra," the Los Javis film that premiered at Cannes and has been quietly building steam ever since.

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Zach Cregger Does It Again: ‘Resident Evil' Is a Total Blast — and a Hit With a $60M Box Office Opening — Post Your Review!

Cregger has pulled off another box office hit. His reboot of "Resident Evil" opened to $60M — well past the $40–50M tracking and, by a wide margin, the biggest debut the franchise has ever seen.

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Mark Ruffalo Warns AG Bonta Not To Make A Deal With Paramount: "Don't You Dare"

This weekend, California AG Rob Bonta is meeting with Paramount to discuss a potential deal in the Warner Bros. Discovery merger.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24 Partners With Google in $75M AI Deal for “Filmmaking and Distribution Techniques”

June 22, 2026 Jordan Ruimy

People are upset about today’s partnership between Google and A24.

It’s been announced that Google, through its DeepMind division, is investing roughly $75 million in A24 as part of an AI research collaboration for filmmaking and distribution.

This appears to be structured as a multiyear, non-exclusive deal. A24 will gain access to DeepMind’s AI tools to explore new filmmaking (and distribution) techniques. This comes after A24’s prior funding round with Thrive, which valued the company at roughly $3.5 billion. The stated goal is to develop practical AI tools in partnership with filmmakers rather than impose them externally.

Yes, a major AI lab is now formally entangling itself with a respected, auteur-driven studio, which signals a slow normalization of AI in filmmaking—moving from behind-the-scenes experimentation to direct influence over how stories are developed and distributed.

The industry is worried. AI tools built “for artists” could interfere in ways creators don’t fully control.

My opinion remains the same. When it comes to the future of AI in movies, I prefer human hands to be at the helm, and the technology will rise or fall depending on whether audiences push back against it. AI will be successful only if audiences accept it and buy movie tickets for it—Hollywood ultimately prioritizes profitability above all else. So if AI is upsetting you at the moment, please take comfort in knowing that the power is in your hands. If you and millions of others don’t make these movies successful, then there’s no reason to worry.

It should be mentioned that this A24 deal comes only 24 hours after it was reported that the studio passed on Luca Guadagnino’s “Artificial,” an anti-AI Sam Altman biopic. Focus, Warner Bros and Netflix also passed on the film.

← Taika Waititi’s ‘Klara and the Sun’ Finally Has Trailer After Two-Year DelayMadonna Says Her Self-Directed Biopic Fell Apart at Universal and Netflix Over High Budget and Creative Control →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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