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David Fincher’s ‘Cliff Booth’ Reshoots Set for August — Jeff Cronenweth to Replace Erik Messerschmidt as DP

The film had actually wrapped its six-month production in January 2026, and it’s been in post-production for the last eight months. Fincher is well known for taking his time in the editing room.

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Sam Neill’s Final Role Will Be in ‘The Legend of Zelda’

Sam Neill had filmed four projects back-to-back over the past year, all of which would be released in the coming months, including “The Legend of Zelda.”

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Gareth Edwards Exits ‘Jurassic World’ Sequel Due to “Creative Differences”

Universal and Amblin are moving forward with the next ‘Jurassic World’ movie, but Gareth Edwards is not expected to return as director following “creative differences.”

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Emmanuel Lubezki Set as DP on Ben Stiller’s WWII Thriller ‘Airman,’ Starring Jeremy Allen White, A24-Backed

Lubezki’s participation in the film doesn’t seem so far-fetched when you realize that he was also the DP on Stiller’s “Reality Bites,” way back in 1994. They haven’t worked together since.

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‘Run Hide Fight: Infidels’ Trailer: Jonathan Majors’ Comeback Is a Culture-War Fever Dream, Produced by Ben Shapiro

Here’s the moment we’ve all been waiting for, a trailer Jonathan Majors’ “comeback vehicle” — titled “Run Hide Fight: Infidels,” and backed by Ben Shapiro’s The Daily Wire.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24 Partners With Google in $75M AI Deal for “Filmmaking and Distribution Techniques”

June 22, 2026 Jordan Ruimy

People are upset about today’s partnership between Google and A24.

It’s been announced that Google, through its DeepMind division, is investing roughly $75 million in A24 as part of an AI research collaboration for filmmaking and distribution.

This appears to be structured as a multiyear, non-exclusive deal. A24 will gain access to DeepMind’s AI tools to explore new filmmaking (and distribution) techniques. This comes after A24’s prior funding round with Thrive, which valued the company at roughly $3.5 billion. The stated goal is to develop practical AI tools in partnership with filmmakers rather than impose them externally.

Yes, a major AI lab is now formally entangling itself with a respected, auteur-driven studio, which signals a slow normalization of AI in filmmaking—moving from behind-the-scenes experimentation to direct influence over how stories are developed and distributed.

The industry is worried. AI tools built “for artists” could interfere in ways creators don’t fully control.

My opinion remains the same. When it comes to the future of AI in movies, I prefer human hands to be at the helm, and the technology will rise or fall depending on whether audiences push back against it. AI will be successful only if audiences accept it and buy movie tickets for it—Hollywood ultimately prioritizes profitability above all else. So if AI is upsetting you at the moment, please take comfort in knowing that the power is in your hands. If you and millions of others don’t make these movies successful, then there’s no reason to worry.

It should be mentioned that this A24 deal comes only 24 hours after it was reported that the studio passed on Luca Guadagnino’s “Artificial,” an anti-AI Sam Altman biopic. Focus, Warner Bros and Netflix also passed on the film.

← Taika Waititi’s ‘Klara and the Sun’ Finally Has Trailer After Two-Year DelayMadonna Says Her Self-Directed Biopic Fell Apart at Universal and Netflix Over High Budget and Creative Control →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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