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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Curry Barker Says Focus Will Mount an Oscar Campaign for ‘Obsession’

June 15, 2026 Jordan Ruimy

It’s been a wild five weeks for Curry Barker, whose “Obsession,” spurred by incredible word of mouth — it’s actually in the IMDb Top 250 with an 8.1 rating — will hit the $300M worldwide mark this week.

There’s even been speculation about a potential Oscar campaign for the film, and looking at the first six months of 2026, it does make some sense, with only “Project Hail Mary” emerging as a serious Best Picture contender. Why not give it a shot? After all, the narrative would be irresistible: a film made for under $750,000 becoming a full-blown cultural phenomenon.

Barker is now confirming to THR that Focus has told him they will be campaigning hard for “Obsession.”

It won’t win Best Picture, but a nomination alone would be seen as a huge victory. Horror has historically faced challenges with the Academy, but films like “Get Out,” “The Substance,” and “The Silence of the Lambs” show that genre barriers can be overcome when a film breaks through culturally.

The most realistic Oscar path for “Obsession” would likely be in categories such as Original Screenplay, acting (Indy Navarrette), editing, sound, or even — if the stars align — Best Picture. Whether it would be competitive depends on factors beyond the film’s quality: resources, campaign budget, and how crowded the awards season becomes. Oscar campaigns are expensive and highly strategic.

Just the fact that we’re talking about the possibility of Oscar nominations is wild. After seeing the film at TIFF last year, and even with the positive buzz that came out of that screening, I never would have imagined that this midnight movie would be in this position almost a year later.

In that same THR interview, Barker mentions his already-shot sophomore effort, “Anything But Ghosts,” starring Bryce Dallas Howard and Aaron Paul, as well as his A24 “Texas Chainsaw Massacre” reboot. Oh, and he already has an outline for “Obsession 2,” which might arrive a few years from now, because of course.

← Clive Owen to Star in ‘The Tribe’ Director Myroslav Slaboshpytskyi’s ‘Radioactive’Paul Schrader Dismisses Spielberg’s ‘Disclosure Day’: “A Master Chef Makes a Soufflé Out of Leftovers” →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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