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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Victorian Psycho’ Trailer: Maika Monroe Goes Unhinged in Zachary Wigon’s Ultra-Violent Gothic Horror

July 30, 2026 Jordan Ruimy

Here’s the trailer for Victorian Psycho by Zachary Wigon, which I saw at Cannes this year.

This is an over-the-top, ultra-violent, preposterous film. There is absolutely zero reason to take this film seriously while watching it.

Set in Victorian England, the story follows an eccentric governess who arrives at a remote Gothic manor, only to stir suspicion that she is not quite what she seems. Maika Monroe stars in the lead role, replacing Margaret Qualley, who suddenly bowed out due to a scheduling conflict. The cast also includes Jason Isaacs as the patriarch and Thomasin McKenzie as the daughter. The screenplay is adapted from the novel by Virginia Feito, who also penned the adaptation.

Monroe is completely unhinged here. I don’t think there’s any other way to describe her performance. She plays a woman who is absolutely turned on by blood. Beware of anyone who describes herself as “the sanest person I’ve ever met.” She goes to 11 with her acting. No subtlety whatsoever.

The visual style is also outlandish. The humor ranges from absurd visual gags to gooey violence. There are tilted frames, upside-down shots, and restless camera movements — all of which are meant to represent her psyche. This is basically a Victorian version of “American Psycho,” and right before the screening, Cannes chief Thierry Frémaux mentioned that Brian De Palma had emailed him, proud that the film was being screened at Cannes — I can see his influence here as well.

Did I like the film? Well, it’s certainly not boring, but it’s a little too much. It’s the kind of film that tries its damnedest to shock, yet ends up feeling far less subversive than it imagines itself to be.

Monroe has turned into a sort of scream queen, building a considerable filmography of frighteners, including “Longlegs,” “It Follows,” “Watcher,” and “The Guest.” She is set to shoot an “It Follows” sequel this summer.

Wigon, who directed the indie chamber piece “Sanctuary,” originally had “Victorian Psycho” set up at A24, but the indie studio later dropped the film, which eventually landed at  Bleecker Street.

← ‘Clueless’ Sequel Moves to Paramount+ as Limited Series With Alicia Silverstone Returning‘Wicker’ Trailer Has Olivia Colman and Alexander Skarsgård in Unusual Fantasy Romance →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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