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‘The End of Oak Street’ Heads for Weak $18M Opening — #4 This Weekend; Another Warner Bros. Miss

Warner Bros.’ “The End of Oak Street” is not doing well. The $80M movie grossed an estimated $8M on Friday from 3446 theaters, including previews. It’s now looking at around an $18M opening.

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Hayao Miyazaki Is Still Working at Studio Ghibli. Nobody Knows What He’s Making

Miyazaki has announced his retirement more than once and is currently — as far as we know — unretired. What exactly is he doing there? That appears to be the great mystery.

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‘Avengers: Doomsday’ Trailer Goes Full Emo as Robert Downey Jr’s Doctor Doom Wages War on the MCU

The trailer doesn’t exactly paint a sunny picture. In fact, things look pretty miserable in Marvel land. Sue Storm is seen in tears, while Doctor Doom appears to be on a revenge tour.

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Inde Navarrette to Play Rogue in Marvel’s ‘X-Men’ Reboot

Marvel Studios broke the internet this evening at D23 by announcing the casting of “Obsession” breakout Inde Navarrette as Rogue in their upcoming X-Men reboot.

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Pixar Sets ‘Incredibles 3’ for 2028, ‘Coco 2’ for 2029, and Supernatural Original ‘Ghost Market’ for 2028

Some D23 updates. Many more to come. Inde Navarette has been spotted backstage, which means she might get announced soon as an X-Men. Stay tuned. For now, some Pixar news…

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Jesse Eisenberg’s ‘No One Cares’ First Reaction Raves Over A24 Dark Comedy Starring Julianne Moore and Paul Giamatti

May 17, 2026 Jordan Ruimy

Jesse Eisenberg’s third feature as a director, following “When You Finish Saving the World” and “A Real Pain,” is tentatively titled “No One Cares.” Contrary to rumors, this upcoming film — based on Eisenberg’s original script — is not technically a musical.

Starring Julianne Moore and Paul Giamatti, with Eisenberg also appearing briefly, “No One Cares” is set in “the high-stakes world of community theater,” and follows a shy woman (Moore) who is unexpectedly cast in a local production of an original musical.

Here’s what someone who saw a cut of the film, which screened at the Cannes market over the weekend, had to say about it:

“No One Cares” is great. It’s Julianne Moore as a painfully awkward housewife who has to learn how to act for a musical, and then gets way too into it. Giamatti is the director trying to make her good, but she keeps literalizing everything, so the whole thing becomes this weird, dark, very funny spiral about acting, delusion, and community theater freaks.

It’s not really a “musical,” more a comedy about making one. Eisenberg has a small role as one of the actors, DP Drew Daniels shot the sh*t out of it, and Emil Mosseri’s score is terrific.

Moore is doing one of her best roles in years, but Giamatti is the big supporting play. He has a few killer monologues and is basically PSH warmth mixed with J.K. Simmons theater tyrant energy. Audience was howling. Kind of Woody Allen’s “Black Swan,” but for apartment building theater people.

By the way, Drew Daniels was the cinematographer on Sean Baker’s last two films, “Anora” and “Red Rocket.”

Eisenberg is coming off the success of “A Real Pain,” released in 2024, which earned widespread acclaim and an Oscar for supporting actor Kieran Culkin. Eisenberg was also nominated for Best Original Screenplay.

A24 is positioning the film for a fall premiere, potentially at the Telluride Film Festival and then at the Toronto International Film Festival. An Oscar campaign will likely be mounted for all key players involved.

← Na Hong-jin’s ‘Hope’ POLARIZES Cannes and Unleashes an Unhinged, Blood-Soaked Sci-Fi Monster FreakoutCate Blanchett Joins Brady Corbet’s ‘The Origin of the World’ →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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