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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24 Acquires Jeremy Saulnier’s Next Film — ‘Untitled Halloween Project’

May 5, 2025 Jordan Ruimy

UPDATE: A24 has acquired the rights to Jeremy Saulnier’s next film, which currently goes by “Untitled Halloween Project.”

According to The InSneider, A24 outbid competitors including Neon, 20th Century Studios, and Netflix—despite Netflix making a competitive offer. However, Netflix’s proposal reportedly lacked a theatrical release, which was a key factor for Saulnier, especially after his previous two films, “Rebel Ridge” and “Hold the Dark,” debuted on the streaming platform.

EARLIER: Last year, Jeremy Saulnier’s “Rebel Ridge” became a breakout hit, racking up over 31M views on Netflix within its first three days and propelling Aaron Pierre into the spotlight—earning him the lead role in HBO’s “Lanterns.” The film’s success left many studios regretting their decision to pass on Saulnier’s film.

Now, it looks like Hollywood isn’t taking any chances with Saulnier’s next work. According to The InSneider, Saulnier’s latest screenplay—an untitled thriller described as a gritty, high-stakes chase story reminiscent of “The Fugitive,” and the visceral intensity that defines Saulnier’s style—is at the center of a fierce bidding war.

While specific plot details remain under wraps, several major players are reportedly vying for the rights. A24, Neon, 20th Century Studios, and Netflix are all in contention. Netflix might seem like the frontrunner, having released Saulnier’s previous two features, but insiders suggest the filmmaker is — wisely— aiming for a theatrical rollout this time around.

Last year, Saulnier spoke with The Playlist about what his next film might be:

I’m currently writing something that’s a little more in the “Green Room” universe. Because with “Rebel Ridge,” I was exploring a new side. I was just tired of everything I do being oppressive. But I’ve kinda gone back. It has to do with music and Halloween and fun shit.

“Rebel Ridge,” which was Saulnier’s first film in over five years, had a tumultuous journey on its way to release. This is the infamous film that had, original lead actor, John Boyega abruptly walking out of the set in 2021, under controversial circumstances. Boyega was soon replaced with Pierre, and filming resumed in early 2022.

News of a new Saulnier project being in the works is music to my ears. His 2014 film, “Blue Ruin,” is a crime-thriller indie masterwork, and 2016’s “Green Room,” a dark and nasty neo-Nazi revenge tale, played like an avant-garde horror movie. Saulnier’s knack for detailed visceral violence makes you feel every gunshot, every stabbing of the knife, every punch. He’s a major talent.

← ‘Horizon’ Actress Has “No Clue” What’s Happening With Western Saga‘Thunderbolts’ Changes Title to ‘The New Avengers’ Only 1 Week After Release →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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