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Elon Musk, Movie Mogul? Paramount Is Reportedly Thinking About It

Paramount needs money. Buying Warner Bros. Discovery was expensive, and now the company is looking for new investors. One name that has come up? Elon Musk.

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Jeremy Saulnier’s ‘Slayground’ Eyes January 29, 2027 Release via A24

The original plan was to release the Halloween-set film in October (its original title was "October"), but Saulnier is still editing it. The last test screening featured a 2½-hour cut and drew very positive reactions.

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Jude Law Joins Ari Aster’s ‘Scapegoat’

Jude Law has joined Ari Aster's "Scapegoat," which already has Scarlett Johansson and Jacob Elordi in lead roles. Aster, who is directing from his own script, is once again teaming with A24.

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‘Digger' Tracking at $10M-$12M Opening After Mixed First Reactions

Coming off polarizing early reactions, "Digger" presales are off to a weak start, trailing "The Drama" by 34% and "The Bride" by 35% at one major chain. That's alarming for Warner Bros.

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‘Avengers: Endgame' Re-Release Tracking for $28M, Could Hit #1 in Box Office Showdown With ‘Resident Evil'

"Avengers: Endgame" is tracking for a stunning $28M re-release weekend, putting it neck and neck with "Resident Evil" ($28M–30M) for #1 and signaling huge hype for December's "Avengers: Doomsday."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

August 9, 2026 Jordan Ruimy

Mel Gibson has finally shot “The Resurrection of the Christ,” his long-awaited follow-up to 2004’s “The Passion of the Christ,” and it sounds like he’s going much bigger this time around. The two-part film was shot simultaneously in Rome and is now deep into post-production.

But there’s one major change from ‘The Passion’: Gibson isn’t shooting the new films in Aramaic and Latin. They’re in English. Gibson is exaplaining the decision, during a Fan Expo Boston panel, to Collider, saying the material became too complicated to ask audiences to process through subtitles.

They’re both in English because the subject matter and just the theological download you have to go through is so complex that I don’t think people would like to have to read it in subtitles in a foreign language. You want to be able to digest it straight away.

That’s a significant departure from “The Passion of the Christ,” where the use of Aramaic and Latin was central to the experience. Audiences were unbothered by the experience as, at the time, it was the most profitable R-rated movie in history, grossing $612M worldwide, which today would amount to $1.1 billion.

Gibson clearly doesn’t think the same approach works in ‘Resurrection.’ I’m not sure why.

So I tailored the material to fit the audience, and I think having it in the vernacular would be better for it.

It sounds like there’s maybe a lot more material to digest this time? Gibson says the story couldn’t simply be told as a straightforward sequel. There’s too much going on, and the Resurrection itself has to be understood alongside other historical events.

It’s a very difficult thing to understand. So you can’t just tell the linear story that way.

Gibson has spent roughly 23 years thinking about ‘Resurrection,’ with the screenplay taking almost a decade to develop alongside Randall Wallace (“Braveheart”) and his brother. The screenplay eventually became so big that it had to be split into two films. Gibson says the break was always there, rather than something imposed on the movie later.

It had it in the script, but it had a natural breaking point. There’s Part One and Part Two, and they’re distinct. I think they stand alone as individual pieces, but they do complete one another.

Gibson, having shot both movies, is now working on the edit and visual effects. He’s also teasing something that apparently isn’t going to resemble what audiences are expecting.

I don’t think it’s anything anyone would expect.

Each part is reportedly budgeted at around $125M, putting the combined production budget at around $250M, making it by far Mel Gibson’s most expensive directorial project. Jim Caviezel and Monica Bellucci will not return, with Jaakko Ohtonen playing Jesus and Mariela Garriga as Mary Magdalene. Part One is set for May 6, 2027, followed by Part Two on May 25, 2028.

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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