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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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What Are You Seeing This Weekend? ‘Godzilla Minus Zero,' ‘Wild Horse Nine,' ‘La Bola Negra' Expands, ‘Club Kid,' ‘I Play Rocky' & ‘Possible Love'

This is an open discussion thread. Tell us what you're seeing Friday to Sunday, what you thought of it, and what's still on your list. This weekend you have plenty of options.

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007 Surprise! Robert Pattinson Screen Tested for James Bond

Yep, Robert Pattinson has screen tested to play James Bond, according to "multiple sources" who spoke to THR. He joins the already-reported trio of Callum Turner, Jack Lowden and Josh O'Connor.

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‘1408’ Sequel Is Happening With Sam Jackson, John Cusack, Elijah Wood and Natalia Dyer

Cusack has been open about this being the one sequel he'd ever do. Last year he told People he'd never had the urge to make sequels, but "1408" interested him, partly because, in his words, "most movies suck."

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James Bond: Two Mystery Stars Secretly Tested For 007, Per THR

This week, two different UK tabloids named two different actors, Jack Lowden and Josh O'Connor, as the chosen one. That follows last week's claim that Callum Turner had been cast as 007, which tells you just how in the dark everybody is.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

August 9, 2026 Jordan Ruimy

Mel Gibson has finally shot “The Resurrection of the Christ,” his long-awaited follow-up to 2004’s “The Passion of the Christ,” and it sounds like he’s going much bigger this time around. The two-part film was shot simultaneously in Rome and is now deep into post-production.

But there’s one major change from ‘The Passion’: Gibson isn’t shooting the new films in Aramaic and Latin. They’re in English. Gibson is exaplaining the decision, during a Fan Expo Boston panel, to Collider, saying the material became too complicated to ask audiences to process through subtitles.

They’re both in English because the subject matter and just the theological download you have to go through is so complex that I don’t think people would like to have to read it in subtitles in a foreign language. You want to be able to digest it straight away.

That’s a significant departure from “The Passion of the Christ,” where the use of Aramaic and Latin was central to the experience. Audiences were unbothered by the experience as, at the time, it was the most profitable R-rated movie in history, grossing $612M worldwide, which today would amount to $1.1 billion.

Gibson clearly doesn’t think the same approach works in ‘Resurrection.’ I’m not sure why.

So I tailored the material to fit the audience, and I think having it in the vernacular would be better for it.

It sounds like there’s maybe a lot more material to digest this time? Gibson says the story couldn’t simply be told as a straightforward sequel. There’s too much going on, and the Resurrection itself has to be understood alongside other historical events.

It’s a very difficult thing to understand. So you can’t just tell the linear story that way.

Gibson has spent roughly 23 years thinking about ‘Resurrection,’ with the screenplay taking almost a decade to develop alongside Randall Wallace (“Braveheart”) and his brother. The screenplay eventually became so big that it had to be split into two films. Gibson says the break was always there, rather than something imposed on the movie later.

It had it in the script, but it had a natural breaking point. There’s Part One and Part Two, and they’re distinct. I think they stand alone as individual pieces, but they do complete one another.

Gibson, having shot both movies, is now working on the edit and visual effects. He’s also teasing something that apparently isn’t going to resemble what audiences are expecting.

I don’t think it’s anything anyone would expect.

Each part is reportedly budgeted at around $125M, putting the combined production budget at around $250M, making it by far Mel Gibson’s most expensive directorial project. Jim Caviezel and Monica Bellucci will not return, with Jaakko Ohtonen playing Jesus and Mariela Garriga as Mary Magdalene. Part One is set for May 6, 2027, followed by Part Two on May 25, 2028.

← Lars Von Trier Has Almost Completed the Screenplay For His Final FilmDavid Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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