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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Christopher Nolan’s ‘The Odyssey’ Will Use New IMAX Cameras With Clearer Sound/Dialogue

December 24, 2024 Jordan Ruimy

Much like most of Christopher Nolan’s movies, the dialogue in “Oppenheimer,” at key moments, would sometimes sound inaudible. In the 3-Hour film, which was heavily dialogue-driven, the mixing, at times, would muffle out what his on-screen characters were saying.

Nolan’s sound editing and mixing is, and has always been, a polarizing topic of discussion. Many have wondered why he never fixes the problem given that it’s become a common complaint from detractors. With that said, “Oppenheimer” was a vast improvement when compared to Nolan’s last few, especially “Tenet,” and he’s already stated being aware of the sound complaints.

In a recent interview, Nolan laid the sound issue blame on his actors not doing ADR, which is the practice of returning to the recording booth in post-production to recapture dialogue and make things a little clearer. His other excuse was that the IMAX cameras being used for his movies can be noisy, interfering with quieter scenes. That will likely change now.

At a recent presentation, it was revealed that Nolan will be be using brand new IMAX technology for his next film, “The Odyssey,” including a “30% quieter camera” which is enhances clarity in the recording of dialogue and sound mix, as well as other improvements like a carbon fiber body for lighter operation and an LCD viewfinder.

In the past, Nolan defended the sound in his films, especially in Tom Shone’s definitive book, “The Nolan Variations,” where he expressed being surprised about how “conservative” moviegoers were about cinematic sound. In the interview, he went as far as to call his style of sound mixing purposeful and “radical.”

Then again, his point of view comes from a biased perspective; he already knows the dialogue in his movies, inside and out, but seems to forget that the audience doesn’t; it’s their first time with the material and they might not grasp it as much.

In Shone’s book, Nolan mentions how he got calls from other filmmakers who would say they just saw his film, and the dialogue was “inaudible.” “Some people thought maybe the music’s too loud, but the truth was it was kind of the whole enchilada of how we had chosen to mix it," he said at the time.

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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