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Zack Snyder's ‘The Last Photograph’ Is Getting Destroyed at TIFF: “Unabashedly Sh*t On Every Level”

As expected, Snyder's latest is being torn apart by TIFF attendees. No mercy given. The film, which had its world premiere this evening, is being called by some one of the worst movies to ever premiere at the festival.

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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Venice to Still Have Predicted U.S. Titles: Mann, Lanthimos, Cooper and Coppola All Going

July 24, 2023 Jordan Ruimy

The impact of the actors' strike, according to Venice director Alberto Barbera, will be very limited.

Yes, Luca Guadagnino's ”Challengers” pulled out, but the green light has been given for Yorgos Lanthimos’ “Poor Things,” Bradley Cooper’s “Maestro,” Michael Mann’s “Ferrari” and Sofia Coppola’s “Priscilla” to be unveiled on the Lido this September.

So, “Challengers” will be one of the only American titles to be pulled due to the strike. The other films will be there, the directors as well, not the stars. No word on David Fincher’s “The Killer,” which was not mentioned by Barbera or THR. Maybe that could be another casualty.

Now, here’s the latest developments that I’ve heard. Cannes regular Abderrahmane Sissako’s “Black Tea” might be ready for Venice. The rumor is a February release date in France, so it might very well be skipping Cannes 2024 in favour of Venice.

Agniezka Holland’s “The Green Border” might be another surprise addition to the competition. The film was shot in May, but rushed for the Lido. It’s really an impressive feat of speedy production-making if this does indeed occur.

Fien Troch’s “Holly” will be a surprise female-directed entry in the Venezia competition. Her last film was in the sidebars, it sounds as though she’s been promoted to contend for the Golden Lion.

Speaking of female directors, the one that I have absolutely no intel for is Emerald Fennell’s “Saltburn.” I had reported a few months ago that Venice, Toronto and Telluride were all fighting for its world premiere, we’ll know in the next few days who won the sweepstakes.

And so, based on all of the intel I could gather up the past few weeks, these will be my final predictions for the 80th Venice Film Festival competition lineup. This is 24 titles, Venice competition is usually 20-22, but I don’t really know which ones to axe.

Ferrari (Michael Mann)
Maestro (Bradley Cooper)
Priscilla (Sofia Coppola)
Strangers (Andrew Haigh)
Poor Things (Yorgos Lanthimos)
Dogman (Luc Besson)
Le Successeur (Xavier LeGrand)
The Royal Hotel (Kitty Green)
Limonov (Kiril Serebrenikkov)
Commandante (Edoardo De Angelis)
The Theory of Everything (Tim Kroger)
Hors Saison (Stéphane Brizé)
Lubo (Giorgio Diritti)
Enea (Pietro Castellitto)
Finalmente L’Alba (Saverio Costanzo)
Adagio (Stefano Solima)
El Conde (Pablo Larraín)
Holly (Fien Troch)
The Palace (Roman Polanski)
Io Capitano (Matteo Garrone)
Memory (Michel Franco)
Black Tea (Abderrahmane Sissako)
The Green Border (Agniezka Holland)
The Beast (Betrand Bonello)

The full lineup for the 80th Venice Film Festival will be announced this Tuesday, July 25th.

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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