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Tom Holland to Star in Drew Pearce's Thriller ‘Penthouse’ for Sony — and I'm Still Not Convinced He’s a Movie Star

I'm going to say what a lot of people think, and won't say out loud: I don't believe Tom Holland can be a movie star outside of Spider-Man. That's been my genuine hunch for a few years now.

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Netflix Fires Film Chief Dan Lin

Under Lin, the quality of Netflix's movies got worse. The Lin era was defined by mid-budget, algorithm-friendly fare and a wobbly relationship with the filmmakers who actually gave Netflix its prestige.

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Jesse Eisenberg Says He “Couldn’t Get Movie Studio Roles” After Winning a Razzie for ‘Batman v Superman’

Ten years later, Jesse Eisenberg says the backlash behind his Lex Luthor, and the Razzie that came with it, changed the course of his career, and led him to directing.

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Peter Jackson Says His Next Film Is ‘Tintin 2,' but Who's Paying for It?

Peter Jackson is back. Twelve years after his last narrative feature, he's confirmed his next directing gig, and it's the ‘Tintin’ sequel that everyone had pretty much given up on.

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Taika Waititi Says His ‘Star Wars' Movie Has Been “Put on Ice"

This was inevitably going to happen. Taika Waititi's long-gestating "Star Wars" movie — first announced by Lucasfilm on May the 4th, 2020 — has been "put on ice."

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A 35mm ‘Tenet’ Rewatch Tonight

June 17, 2023 Jordan Ruimy

Tonight I’ll be attending a 35mm screening of Christopher Nolan’s “Tenet.” I haven’t seen the film since its original release back in 2020. That’s three full years of not caring or giving the slightest attention to this exhausting film.

From what I can remember about “Tenet,” Nolan had somehow managed to make a movie that, in comparison, made his 2010 mindbender “Inception” easy to follow.

The opening 10 minutes were remarkable. A set-piece at a Kiev opera house involving the film’s lead character John-David Washington, known simply as, The Protagonist. He gets recruited by the mysterious “Tenet” agency to save the world.

The Protagonist is brought up to speed on a variety of things, from backward-traveling bullets, to the news of an impending third World War, masterminded by Ukrainian Oligarch Andrei Sator (Kenneth Branagh).

The film’s other central relationship centers around Washington and his mysterious ally Neil, played with an air of levity and charisma by Robert Pattinson who brings real playfulness to the otherwise cold world Nolan has created.

In “Tenet,” which very much felt like Inception-on-steroids, Nolan somehow managed to give us his most complicated and confusing movie to date. It hammered me to a pulp, with its relentless 153 minutes assault on the senses.

I watched it for a second time the following week. Grasped the plot more, understood the stakes better and found myself a tad more invested. However, “Tenet” still felt like a woefully classic case of putting concept over story, a film heavy on pseudo-science as it tackled time-travelling via reverse engineering, in a clear-cut world-hopping homage to Bond movies.

What I concluded was that, even if you “got” the gist of the plot, followed the action with a keen eye for attention, the movie itself was already part of a loop, and the things we were seeing may have already happened, and that the characters’ actions were maybe being re-performed for a better outcome. Still with me?

The filmmaker’s byzantinian vision kept playing around with time and place, in sometimes playful, but ultimately frustrating ways. After watching “Tenet” for a second time, I was exhausted. I had no desire to ever go back to this world.

And yet, here I am, curious again, about to watch “Tenet” for the third time. Maybe it’s time wasted, but, for some reason, I seem to be in the mood for it. Something seems to be luring me back towards this movie.

← Thierry Fremaux Defends Abdelatif Kechiche and the “Male Gaze”Is ‘Nightbitch’ Going Straight to HULU? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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