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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Is ‘Nightbitch’ Going Straight to HULU?

June 17, 2023 Jordan Ruimy

Here’s a reader wondering about Marielle Heller’s upcoming “Nightbitch,” starring Amy Adams:

Hey Jordan, just wondering if you've heard anything about Searchlight's release plan for Nightbitch. Seems weird to me that they'd spend $25 million in a competitive bidding war for the film.

What I keep hearing is that “Nightbitch” will first premiere at TIFF in September before any decision is made in regards to its release strategy. It’s a smart move on the part of Disney. Screen it and then decide. If it gets panned then there is absolutely no reason for them to waste money and release it in theaters.

This past week, Disney upgraded Fede Alvarez’s ‘Alien’ movie from Hulu to theatrical, so it’s not without hope that Heller’s film will indeed receive the same fate. If anything, it does sound like the kind of idiosyncratic film that deserves to be seen on the big screen.

“Nightbitch” test-screened in March. It does sound like a real narrative risktaker. The two reactions I had received were polar opposites:

Reaction #1: I liked it a lot. Surreal feminist fable that somehow worked. Not sure how to describe this movie, other than despite the outrageous concept I found it had a lot of insight about motherhood and shattered the preconceptions we might have about it. Amy Adams kind of owns this movie. It doesn’t strike me as an “Oscar movie,” but neither did EEAAO. Definitely veers into genre territory.

Reaction #2: I’m still not sure why someone decided to make this movie. I love Amy Adams and she’s great as always here but it’s super strange just for the sake of being strange. Some odd storytelling and unnecessary subplots. She literally feels and turns into a dog and it’s supposed to tell us something about motherhood. It’s also a very ugly movie to look at.

Back in July of 2020, Annapurna Pictures won an auction and landed the rights to Rachel Yoder’s debut novel, “Nightbitch”. Then Searchlight Pictures acquired the film from floundering Annapurna, Heller was then announced as the writer-director.

The film’s plot is total dark absurdism. A neo-horror thriller starring Adams as an overworked woman who is convinced she's literally turning into a dog.

Here’s a more descriptive plot synopsis:

“Exposing the absurd and feral truths of motherhood, Nightbitch is a darkly comedic telling of an unnamed woman and former artist, thrust into stay-at-home domesticity after the birth of her son, who becomes increasingly worried and convinced that she may be turning into a dog.”

Heller’s debut was Sundance sensation “The Diary of a Teenage Girl.” This was followed by the critically-acclaimed “Can You Ever Forgive Me.” She then dabbled into mainstream filmmaking with the mostly-enjoyable “A Beautiful Day in the Neighbourhood.”

← A 35mm ‘Tenet’ Rewatch TonightRussell Crowe Says, Yes, Movie Sequels Are Lazy, But He Approves of ‘Gladiator II’ →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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