• Home
  • Reviews
  • Interviews
  • Lists
    • Yearly Top Tens
    • Trailers
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
BREAKING: Netflix Wins Bidding War to Acquire Warner Bros.
IMG_0988.jpeg
Matt Reeves Defends Paul Dano After Quentin Tarantino Calls Him “The Limpest Dick in the World”
IMG_0984.jpeg
Darren Aronofsky to Direct Gillian Flynn-Penned Erotic Thriller for Sony
Screenshot 2025-12-04 154349.png
‘Men in Black 5’ Eyes Will Smith Return
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
AFI’s Top 10 Films of 2025: Oscar Blueprint or Major Snubs?
Featured
Capture.PNG
Aug 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
Aug 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Aug 19, 2019

World of Reel

  • Home
  • Reviews
  • Interviews
  • Lists
  • More
    • Yearly Top Tens
    • Trailers

‘Homeroom’: Scattershot Depiction of an Oakland High School [Capsule]

August 11, 2021 Jordan Ruimy

This documentary purports to be a profile on students going through the 2020 school year at an Oakland high school. As if the anxiety over test scores and college applications wasn’t enough, a pandemic was about to break — they just didn’t know it. Neither did director Peter Nicks (“The Waiting Room” and “The Force”) whose “Homeroom” premiered at the 2021 Sundance Film Festival, where it won the Documentary editing award. The portraits of the students here are culturally vibrant, but not substantial enough. The central student is go-getter Denison Garibo, a member of OHS’ Student Union and a student member of the Oakland School District. The usual moments are depicted; a homecoming rally, the school dance, and online college acceptance celebrations. But just as the school year hits its peak, COVID-19 enters the picture and, instead of realizing he might have a goldmine of footage at his disposal, Nicks decides to depict the political instead of the personal — the George Floyd protests ignite the students’ riding social awareness. It all feels a little out of place for a movie that initially wanted to tackle the flawed U.S. school system. And so, what starts off as a portrait of education turns into an activist call to abolish the school’s police. Maybe right after the pandemic hit Nicks should have called it quits on filming this one and gone on to his next project, but he didn’t, the filmmaker went on and the resulting films feels scattershot, rushed and all over the place. [C+]

In REVIEWS
← ‘Annette’: This Cinematic High-Wire Act is Both Brilliant and Frustrating to Behold [Review]NYFF Announces Lineup: Almodovar, Campion, Ducournau, Verhoeven and More →

FOLLOW US!


Trending

Featured
IMG_0351.webp
Josh Safdie’s ‘Marty Supreme’ is One of the Best Films of the Year — Timothée Chalamet Has Never Been Better
IMG_0815.jpeg
Six-Minute Prologue of Christopher Nolan’s ‘The Odyssey’ Coming to Select IMAX 70mm Screenings December 12
IMG_0711.jpeg
James Cameron: Netflix Movies Shouldn’t Be Eligible for Oscars
IMG_0685.jpeg
Brady Corbet Confirms Untitled 4-Hour Western Will Be X-Rated, Shot in 70mm, Filming Next Summer

Critics Polls

Featured
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
Capture.PNG
Critics Poll: ‘The Godfather’ Named Best Movie of the 1970s
public.jpeg
Critics Poll: ‘Do the Right Thing' Named Best Movie of the 1980s
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025