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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Spike Lee on ‘BlacKKKlansman' Oscar Loss: “No One's Watching Green Book Now"

November 28, 2024 Jordan Ruimy

In case you’re unaware, and just to briefly summarize the crux of the matter, “Driving Miss Daisy” is Spike Lee’s Vietnam, and in 2019 “Green Book” gave him flashbacks.

In a recent chat with The Realest Podcast Ever, Lee was asked about awards, and what it means to win awards; that’s when Lee went on a small tangent about how the Academy has done him wrong, numerous times:

The Academy has overlooked some great films and great performances. Speaking for myself, no one’s watching mothaf*cking “Driving Miss Daisy.” “Do The Right Thing” wasn’t even nominated [that year]. No one’s watching “Green Book” now. “BlacKKKlansman” got nominated but didn’t win.

I should mention that plenty of people still watch “Green Book” which has almost 600k votes logged in on IMDB, and an 8.2 rating. Meanwhile, “BlacKKKlansman” has a little less than 300k votes logged in, with a 7.5 rating.

I won’t lie that “Do The Right Thing,” one of the very best films of the ‘80s, was egregiously snubbed by the Academy; it shouldn’t have just been nominated, but also won best picture that year. With that said, and as entertaining as the film might be, there were far better efforts than “BlacKKKlansman” released in 2018.

Lee previously slammed “Green Book” as racist, calling it a “white savior” and “magical negro” movie. The NAACP’s president agreed with Lee’s sentiments. It came to a point where ‘Green Book’ lead Viggo Mortensen had to step in to warn that accusations of racism against the film were “unfair’” and “dangerous.”

At the 2019 Oscars, Lee threw a temper tantrum right after “Green Book” won best picture by immediately trying to exit the Kodak Theater before being told to go back to his seat. In protest, he ended up turning his back to the stage when “Green Book” filmmaker Peter Farrelly accepted the night’s top honors.

According to Deadline’s Pete Hammond, Lee was “clearly furious, got up and walked toward the back of the auditorium in a huff […] He then turned back and appeared to get into an intense conversation with Jordan Peele, who was behind him. He was pacing the aisle and stormed to the back of the auditorium. When he came back, he turned his back to the stage during the speech.”

Afterwards, Lee told a reporter, “Whether this film won best picture or not, we’re on the right side of history.” A few years later, Lee commented that Oscar voters who flat out oppose plans for a more inclusive voting body within the Academy “probably voted for ‘Driving Miss Daisy’ and ‘Green Book.'”

The 8 best picture nominees that year were “BlacKKKlansman,” “Green Book,” “ROMA,” “The Favourite,” “Vice,” “A Star is Born,” “Bohemian Rhapsody” and “Black Panther.”

← ‘Wicked' Slapped With Trigger Warning by UK Film Board for Discrimination Against “Green-Skinned" PeopleVin Diesel Isn't Happy — Universal and “Concast" Want TWO More ‘Fast & Furious' Movies →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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