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Lars Von Trier Has Almost Completed the Screenplay For His Final Film

Lars Von Trier is working on the 15th—and likely final—film of his career, “After,” and according to his producer, Peter Aalbæk Jensen, the screenplay is supposed to be completed this month

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Mel Gibson Says ‘Resurrection of the Christ’ Not in Aramaic Because the Story Is Too “Complex” for Subtitles

Gibson isn’t shooting the sequels in Aramaic and Latin. They’re in English. He now explains the decision, saying the material became too complicated to ask audiences to process through subtitles.

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David Ellison Ready to Sign Three-Year Deal Promising 30 Paramount/Warner Bros. Movies a Year in Theaters

Paramount/Skydance’s David Ellison is making a big promise to theater owners as he tries to get that proposed $110 billion Warner Bros. Discovery deal across the finish line.

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‘Spider-Man: Brand New Day’ Dominates With $145M Second Weekend as Sexless ‘One Night Only’ Bombs With $5M

“Spider Man: Brand New Day” with the highest 10-day domestic run ever. Through tomorrow, the US total will be $653M, and $1.7 billion worldwide. Talk about a blockbuster—this is the definition of one.

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Confirmed: ‘Digger’ Runtime is Actually 2 Hours 8 Minutes

Iñárritu is certainly one to indulge. His last film, “Bardo,” ran 159 minutes, while “The Revenant” was 156 minutes, “Biutiful” 148 minutes, “Babel” 143 minutes, and “Amores Perros” 154 minutes.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Director Paul Feig Blames All-Female ‘Ghostbusters' Failure on ‘Anti-Hilary Movement'

May 27, 2020 Jordan Ruimy

Because we’re getting a new Jason Reitman-directed “Ghostbusters” in 2021, one that will happily ignore director Paul Feig’s 2016 all-female cast version, there will no doubt be contentious, but unnecessary, debate as to whether or not the 2016 reboot warranted its negative reaction. I won’t delve into the nitty-gritty, but I will mention that Leslie Jones, who starred in Feig’s 2016 film, was none too happy hearing about the Reitman reboot last year, tweeting that it was unfair to ignore the 2016 edition and that it reminded her of something Donald Trump would do. Huh!?

Melissa McCarthy added to the choir, saying that misogyny was to blame for the movie's poor success. “I just don’t know why people are so afraid of women. It’s fascinating to me,” McCarthy told Yahoo in 2018.

Jones and McCarthy failed to mention that their “Ghostbusters” was also guilty of ignoring the previous installment(s) and that Sony lost close to $70+ million with that movie. Not too many people wanted a sequel with the same all-female cast, but that didn’t stop Jones and McCarthy from vocalizing their conspiracy theories, not to mention the insults targeted at the film’s detractors, who they call “fanboys,” on Twitter. And so, what else for Feig to do but to come out and not only defend his actresses, but to add to the pile of conspiracy theories meant as an excuse for the failure of a mediocre “Ghostbusters” movie.

In a new interview with The Jess Cagle Show on SiriusXM, Feig was asked about why he thinks the film was so ill-received. And, as you might expect, Feig decided to echo McCarthy and Jones in a politically fervent rant:

“I think some really brilliant author or researcher or sociologist needs to write a book about 2016 and how intertwined [‘Ghostbusters’ was] with Hillary [Clinton] and the anti-Hillary movement,” Feig said. “It was just this year where just everyone went to a boiling point. I don’t know if it was having an African-American president for eight years [that] teed them up or something, but they were just ready to explode… By the time, in 2014 or 2015, when I announced I was going to [make] it, it started.”

He continued, “There’s tape of Donald Trump going, ‘And the Ghostbusters are women, what’s going on?’ It’s crazy how people got nuts about women trying to be in power or trying to be in positions that they weren’t normally in. It was an ugly, ugly year.”

The 5.3 IMDb rating that Feig’s “Ghostbusters” currently has is unfair and part of the aforementioned pre-release campaign to destroy the film. It was harsh, and showcased the negative consequences that can arise from militant movie fandom. However, as much as Feig’s movie didn’t deserve the hateful backlash it received, it must be admitted that it was also not that good of a movie. The cast was fine, but there was nothing above-average about the finished product. Kristen Wiig was her usual awkward self, Leslie Jones did a decent job with what was essentially a thinly written part, and Kate McKinnon basically stole the show as weirdo Jillian Holtzmann.

The fact that McKinnon barely had any lines and still ended up being the funniest, most inventive character, spoke volumes about not just her talent but the movie itself, which felt like a missed opportunity from Feig and company. Blaming the film’s failures on Donald Trump and sexism makes Feig and company look like sore losers.

← ‘A Film By Errol Morris': Latest Film By Documentary Legend Tackles LSD Activist Timothy Leary [Trailer]Woody Allen: I Still Don’t Feel I’ve Made a Great Movie in My Career →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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