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‘Ink’: Danny Boyle Confirms AI Was Used to Generate Margaret Thatcher, The Kray Brothers and Mice

Danny Boyle tells Vanity Fair that AI was used to animate old photographs—which means Margaret Thatcher and the Kray brothers—and to create mice running around the newsroom.

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John Malkovich Heads to Israel for ‘The Music Critic’ as ‘Wild Horse Nine’ Puts Him in the Oscar Race: “Closeness and Solidarity”

John Malkovich is set to star in a production of “The Music Critic” in Israel next year, just 24 hours after entering the best actor race for his “Wild Horse Nine” performance. I gather he won’t be getting Mark Ruffalo’s vote.

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‘Primetime’: Robert Pattinson Delivers in Entertaining, Visually Striking, Surface-Level Movie — Reviews Are Good, Not Great

“Primetime” doesn’t really go beyond being a good movie. For all of its outrageous entertainment value, it ultimately feels like a stylishly conceived riff on a ridiculous show and its even more ridiculous host.

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Venice Has One Female Director in Comp. Maggie Gyllenhaal Says “Systemic Problem”; Former Amazon Exec: “Maybe ‘The Bride’ Just Wasn’t That Good”

Gyllenhaal says women face systemic barriers in an industry that may not value the kinds of films they want to make. Roy Price’s response? Watch “The Bride.”

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Andrew Scott Surges Into the Best Actor Oscar Race for ‘Elsinore’ After Telluride Premiere

And just like that, after Venice and Telluride, the Best Actor race is taking shape, with Andrew Scott (“Elsinore”) and John Malkovich (“Wild Horse Nine”) emerging as major contenders.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Director Paul Feig Blames All-Female ‘Ghostbusters' Failure on ‘Anti-Hilary Movement'

May 27, 2020 Jordan Ruimy

Because we’re getting a new Jason Reitman-directed “Ghostbusters” in 2021, one that will happily ignore director Paul Feig’s 2016 all-female cast version, there will no doubt be contentious, but unnecessary, debate as to whether or not the 2016 reboot warranted its negative reaction. I won’t delve into the nitty-gritty, but I will mention that Leslie Jones, who starred in Feig’s 2016 film, was none too happy hearing about the Reitman reboot last year, tweeting that it was unfair to ignore the 2016 edition and that it reminded her of something Donald Trump would do. Huh!?

Melissa McCarthy added to the choir, saying that misogyny was to blame for the movie's poor success. “I just don’t know why people are so afraid of women. It’s fascinating to me,” McCarthy told Yahoo in 2018.

Jones and McCarthy failed to mention that their “Ghostbusters” was also guilty of ignoring the previous installment(s) and that Sony lost close to $70+ million with that movie. Not too many people wanted a sequel with the same all-female cast, but that didn’t stop Jones and McCarthy from vocalizing their conspiracy theories, not to mention the insults targeted at the film’s detractors, who they call “fanboys,” on Twitter. And so, what else for Feig to do but to come out and not only defend his actresses, but to add to the pile of conspiracy theories meant as an excuse for the failure of a mediocre “Ghostbusters” movie.

In a new interview with The Jess Cagle Show on SiriusXM, Feig was asked about why he thinks the film was so ill-received. And, as you might expect, Feig decided to echo McCarthy and Jones in a politically fervent rant:

“I think some really brilliant author or researcher or sociologist needs to write a book about 2016 and how intertwined [‘Ghostbusters’ was] with Hillary [Clinton] and the anti-Hillary movement,” Feig said. “It was just this year where just everyone went to a boiling point. I don’t know if it was having an African-American president for eight years [that] teed them up or something, but they were just ready to explode… By the time, in 2014 or 2015, when I announced I was going to [make] it, it started.”

He continued, “There’s tape of Donald Trump going, ‘And the Ghostbusters are women, what’s going on?’ It’s crazy how people got nuts about women trying to be in power or trying to be in positions that they weren’t normally in. It was an ugly, ugly year.”

The 5.3 IMDb rating that Feig’s “Ghostbusters” currently has is unfair and part of the aforementioned pre-release campaign to destroy the film. It was harsh, and showcased the negative consequences that can arise from militant movie fandom. However, as much as Feig’s movie didn’t deserve the hateful backlash it received, it must be admitted that it was also not that good of a movie. The cast was fine, but there was nothing above-average about the finished product. Kristen Wiig was her usual awkward self, Leslie Jones did a decent job with what was essentially a thinly written part, and Kate McKinnon basically stole the show as weirdo Jillian Holtzmann.

The fact that McKinnon barely had any lines and still ended up being the funniest, most inventive character, spoke volumes about not just her talent but the movie itself, which felt like a missed opportunity from Feig and company. Blaming the film’s failures on Donald Trump and sexism makes Feig and company look like sore losers.

← ‘A Film By Errol Morris': Latest Film By Documentary Legend Tackles LSD Activist Timothy Leary [Trailer]Woody Allen: I Still Don’t Feel I’ve Made a Great Movie in My Career →

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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