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Paramount to Exit California Amid Warner Bros. Antitrust Fight

For months, people close to CEO David Ellison had hinted that he would leave if state AGs didn't drop their antitrust suit against the $111 billion Warner Bros. Discovery merger.

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Matthew Lillard Says He's “Ashamed" and “Embarrassed” He Returned for ‘Scream 7' After Melissa Barrera's Firing

Lillard says he was part of that silence and now regrets doing “Scream 7,” not because it turned out to be terrible, but because of how Barrera was treated.

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France Picks Andrey Zvyagintsev’s Russian-Language ‘Minotaur’ as Its 2027 Oscar Submission

France has selected Andrey Zvyagintsev’s “Minotaur” to represent the country in the international feature film race at the Oscars, despite the filmmaker and cast being Russian.

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Gregg Araki Starts Shooting ‘The Decline of F*cking Western Civilization’ with Ashton Kutcher and Alison Brie

Araki wrote the screenplay, and will direct “The Decline of F*cking Western Civilization,” a dark comedy starring Ashton Kutcher, Alison Brie, and Jesse Williams. The film started shooting today in Los Angeles.

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‘La Bola Negra’ Storms TIFF as Queer Epic Eyes Netflix’s First Best Picture Oscar

Last night, Los Javis' "La Bola Negra" held a triumphant screening at TIFF's Princess of Wales Theatre, and the standing ovation reportedly lasted through the entire credits.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Just Mercy’ Cannot Overcome its Oscar-Bait Conventions — TIFF Review

September 8, 2019 Jordan Ruimy

The saga of Harvard grad Bryan Stevenson (Michael B. Jordan), a man who has now managed to overturn the death row sentences of over 140 inmates in America, is brought to the screen by way of Destin Daniel Cretton’s frustratingly conventional “Just Mercy.”

Despite his east-coast roots at Harvard, Stevenson, decided to move to Alabama to defend the disenfranchised and wrongly condemned. His urgency to find justice had him thrust upon the case of Walter McMillian (Jamie Foxx), a black man sentenced to death, despite evidence proving his innocence.

With the help of a civil rights activist (Brie Larson), Stevenson ended up investing heart and soul into Walter’s case, all this despite the bias of a racially motivated Alabama police force and equally biased state judges. Stevenson’s coup-de-gras in the case would be found in Ralph Myers (Tim Blake Nelson), the convicted felon filled with regret, whose testimony against McMillian had been coerced by police and had led to his getting off of death row.

Jordan and Foxx are excellent in their respective roles. The scenes they share together are intensely written and passionately shot. There’s also a sense of topical importance to the whole thing, but then again, we have seen this movie before, not to mention done in better and more assured ways (“The Hurricane,” “Crown Heights”).

“Just Mercy” doesn’t know what it wants to be. Yes, its main intent is to concentrate on the McMillian case, but it also has a knack of switching its focus, unsuccessfully, on some of the other death row inmates at the penitentiary. Those include Rob Morgan as a PTSD-inflicted war veteran, and O’Shea Jackson Jr. as a tough guy who may very well be innocent of the crime he was convicted for.

Based on Stevenson’s book of the same name, “Just Mercy” has Cretton getting bogged down by heavy-handedness throughout — there are even two unnecessary and over-the-top courtroom speeches which leave a bitter taste during the climax. A real shame, if you ask me, because this is a story worth telling, but not this way and not in the matter and fashion of a ‘90s Oscar-bait movie. [C]

← ‘A Beautiful Day in the Neighborhood’ has Tom Hanks in the Role he was Born to Play — TIFF Review‘The Two Popes’ Features Awards-Worthy Performances From Anthony Hopkins and Jonathan Pryce — TIFF Review →

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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