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‘Smile 3’ Taps David Bruckner to Direct as Parker Finn Exits Franchise

The ‘Smile’ franchise has a new director. David Bruckner, who made “The Night House” and the 2022 “Hellraiser” reboot, has been hired to direct “Smile 3” for Paramount.

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‘Hunger Games: Sunrise on the Reaping’ Presales Suggest $100M+ Opening Weekend

We might have another blockbuster hit on our hands next month. Presales for ‘Sunrise on the Reaping’ are already turning heads. Robust demand for the film is hinting that a $100M+ opening.

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Ben Wheatley Replaces Rob Savage on ‘Molepeople' — LaKeith Stanfield Also Exits Blumhouse Horror Movie Due Next Summer

Major shakeup for a film that was announced just two weeks ago, and is supposed to come out next year. Was this thing in production when these changes happened?

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The 20 Best Horror Movies of the 21st Century, and the Best of 2026

Halloween is on Saturday, and horror movies keep thriving at the box office. Beyond commercial success, arthouse horror remains at the forefront of American cinema.

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‘You Can See Everything' Adds 600 Screens Friday, Expanding to 3200+ Theaters in Push for #1

A24 isn't being subtle. This Friday, "You Can See Everything" will expand to roughly 600 additional theaters, bringing it to 3,243 screens nationwide. That's a studio going after the top spot at the box office.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘The Two Popes’ Features Awards-Worthy Performances From Anthony Hopkins and Jonathan Pryce — TIFF Review

September 8, 2019 Jordan Ruimy

In 2013, progressive Cardinal Bergoglio and soon-to-be Pope Francis (Jonathan Pryce) paid a visit to conservative Pope Benedict (Anthony Hopkins) so that he could tend his letter of resignation to him. Surrounded by controversy, Benedict shunned it off, saying it was bad timing for his cohort to exit at a time when he was being accused of turning a blind eye on inner corruption at the Vatican. What followed was a debate between two very different mindsets and their particular views on the best path forward for the Catholic Church in the 21st century.

Fernando Meirelles’ “The Two Popes” is a wise and intelligent examination of that meeting. It feels as timely as ever to release this movie due to the current set of debates regarding conservative vs progressive mindsets. Meirelles, who directed the modern gangster classic City of God, never lets Anthony McCarten’s wordy screenplay interfere with his stunning visual schema. However, I did wish for more conversation and less lazy reliance on a long flashback sequence, which recounts the story of Francis’ youth from hopeless romantic to the most progressively-minded high priest at the Vatican.

A Netflix produced movie, “The Two Popes” is a masterclass in acting delivered by two legendary stalwarts of the craft: Pryce and Hopkins. Hopkins, at 81 years of age, gives us a fully fleshed Benedict, a man overcome by regret and anger over his past mistakes and unwilling to come to terms with an ever-changing world. However, wait until you see Pryce. In an Oscar-worthy performance filled with humor, sadness and, ultimately redemption, the actor has never been this magnetic since starring in Terry Gilliam’s 1985 sci-fi classic “Brazil.”

Bergoglio didn’t even want the papacy but, then again, as someone tells him, “the best leaders in the world are the ones that don’t want the job.” In the end, as Francis and Benedict talk about The Beatles, soccer, women’s rights, homosexuality and infidelity, this wowser of a conversation keeps our attention drenched to the screen . By shooting the most subtle darts at each other, and ultimately coming to an understanding, Hopkins and Pryce make “The Two Popes” a movie filled with humanity and hope, a bumpy ride worth taking. [B]

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← ‘Just Mercy’ Cannot Overcome its Oscar-Bait Conventions — TIFF ReviewOpinion: Todd Phillips’ Joker wins Venice’s Golden Lion — What's Next? →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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