• Critics Polls
  • Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
'Cosmic Motors,' John Lasseter's First Film in 15 Years, Moves from Netflix to Paramount Theatrical Release

Netflix and Skydance Animation have also called it quits. The two sides announced Monday that they're ending the animated film deal struck back in 2023, framing it as a mutual decision.

Read more →
IMG_9594.webp
Edward Berger’s Lance Armstrong Biopic, Starring Austin Butler, Starts Production in January

Edward Berger seems to have settled on what comes next. His Lance Armstrong biopic, starring Austin Butler, is now holding casting calls, with production eyed for January.

Read more →
IMG_9596.jpeg
Ramin Bahrani’s ‘Last Meals’ to Star Mads Mikkelsen, Boyd Holbrook, Michael Shannon, and Tessa Thompson

In "Last Meals," Mikkelsen stars as Walter Karat, a disgraced former White House chef now preparing final meals for death row inmates at a maximum security prison.

Read more →
IMG_9592.jpeg
‘NAZA’: Israel Moves to Strip Citizenship From Oscar-Winning Filmmakers Behind Gaza Doc

After its much-reported Venice premiere, Israel's culture minister is vowing to strip citizenship from the two Israeli filmmakers behind "NAZA."

Read more →
IMG_9591.jpeg
Chris Rock’s ‘Misty Green’ Premieres, Rosalind Eleazar Stuns — 73 on Metacritic [TIFF]

I wouldn't call this film great — it stops short of that because of how neatly it resolves itself — but I'll give Rock his due here: this is much better than his previous directorial effort, "Top Five."

Read more →
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

Read more →
August 19, 2019

World of Reel

  • Critics Polls
  • Yearly Top Tens
  • Interviews

George Lucas on ‘The Phantom Menace' 20 Years Later: “I love Episode I very much"

May 26, 2019 Jordan Ruimy

The official Star Wars site has a nice little “looking-back “ anecdote on the 20th anniversary of “Star Wars: Episode 1 — The Phantom Menace.”

Among the vast amount of interviewees is George Lucas.

In it, Lucas admits to still having fond admiration for the film: 

“I love the [Star Wars] movies. And I love Episode I very much because it fills in a lot of the holes. I really wanted to do that.”

“I still enjoy watching it. I haven’t shown it to my daughter yet; she’s five, but I’ll probably show it to her in the next year or so. And I have a grandson who also has got all the stuff. He’s the Star Wars guy. He wants to know how old Luke was when he was fighting Vader, how old was Anakin in the first film. He relates to who they are and what they are.”

“I think he obviously relates a lot more to Phantom Menace than the other films because the hero is his age. He’s four, going on five, so he’s decided that Anakin is five. You can make that leap. He wanted a hero who is the same age as himself.”

Lucas makes the effort of saying that the much-maligned Star Wars prequel was always meant for 12-year-old kids and that it was greeted negatively because many adults just didn’t understand who the the demographic was:

“When it came out, we got blasted out of the water and then the movie had this patina around it of failure and stupidity and whatever. The films were designed for 12-year-olds. I said that right from the very, very beginning and the very first interviews I did for A New Hope. It’s just that they were so popular with everybody, that everybody forgot that.”

“Then when I came back to do Phantom Menace, it was 20 years later. So if you were 10 years old when you saw A New Hope, you would be 30 years old when you saw Phantom Menace. So you weren’t a kid anymore. I think you were kind of embarrassed, and what you thought was a really fantastic movie for a 12-year-old wasn’t that great for a grownup. I think that was the main cause of the fall of Episodes I, II, and III. Believe me, it took a beating.”

Watching “The Phantom Menace” in a theater for the first time, back in the summer of 1999, was one of the most painful cinematic experiences I’ve ever had to endure. Just painful. No, I was not a “Star Wars” aficionado but I got caught up in the hype, who didn’t? We all desperately wanted to love it, but the end result was, quite frankly, boring. George Lucas tried to expand and build up a new world of characters, but we ended up getting Jar Jar Binks. and Jake Lloyd as the young Anakin Skywalker, the latter a badly miscast and badly written character.

There had been suspicions for many years that George Lucas may not have been the filmmaking genius that he was. Yes, he started off his career with “THX-1138,” “American Graffiti,” and 1977’s “Star Wars” but the creative juice he may have shown in those films was all but over with the three prequels he wrote and directed in 1999, 2002 and 2005.

Lucas’ conception of story is second-to-none, but, as we’ve seen it with his work in Star Wars and Indiana Jones, his directing and writing has always been better handled by the likes of Lawrence Kasdan, Steven Spielberg and especially Irvin Kershner in “The Empire Strikes Back,” still the best SW film ever made. I thought 1983’s Richard Marquand-directed “The Return of the Jedi” was entertaining and probably used as the blueprint by Lucas to develop “Revenge of the Sith.” The problem with Lucas is simple; whenever he inserts himself into writing and hands-on work on the production of a film, although highly commendable, his mad ambitions tend to get the best of him and completely crumble out of control.

In NEWS Tags Episode I, The Phantom Menace, Star Wars, George Lucas
← ‘Booksmart' Failing at the Box-OfficeCannes-Winning ‘Diamantino’ Is A Surreal Hybrid of Sci-fi, Comedy, Fantasy and Satire [Review] →

FOLLOW US!

Subscribe to our newsletter

Enjoying World of Reel?

Get film news, rumors and industry stories delivered straight to your inbox.

Thank you!
No results found

Trending

Featured
IMG_9412.jpeg
Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

Read more →
IMG_9228.jpeg
Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

Read more →
IMG_9202.jpeg
Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

Read more →
IMG_9001.jpeg
Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

Read more →

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

Read more →
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

Read more →
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

Read more →
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

Read more →
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
Aenean eu leo Quam

Quisque iaculis facilisis lacinia. Mauris euismod pellentesque tellus sit amet mollis.

Read more →
World of Reel tagline.PNG
 

Content

Contribute

Subscribe

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2026