Roher, an Oscar winner for directing the excellent documentary “Navalny,” has set up a feature film at Lord Miller, the production company of Oscar-winning filmmakers Phil Lord and Christopher Miller.

Above is our first look at Dan Stevens playing a mad German scientist in “Onslaught,” most likely the man responsible for creating the film’s “soldiers” gone wrong.

Exarchopoulos will of course forever be known for her lead turn opposite Léa Seydoux in Abdellatif Kechiche’s Palme d’Or winner “Blue Is the Warmest Color,” released in 2013.

“The Odyssey” hit the $1.34 billion milestone today, making it the highest-grossing R-rated movie of all time. It has now surpassed 2024’s “Deadpool & Wolverine,” which finished with $1.33 billion worldwide.

González is in consideration for the role of Elisa, while Young is being considered for the role of Charlene,. Navarrette would be downgraded to a much smaller role as Gabriella.

The condemned film is Ilya Khrzhanovsky’s “DAU,” which will compete for the Golden Lion next month. The 3h15-minute film follows the release of “DAU. Natasha,” which won the Silver Bear in Berlin in 2020.

The MPA has unveiled its latest batch of ratings, and a pair of high-profile titles are seemingly done with post-production work.

That first trailer for “Whalefall” was better than we had any right to expect; it was tightly edited in a way that made it intense and anxiety-inducing. But this second trailer? Yeah, it veers toward the silly.

Whoops! Jason Statham’s upcoming action film “Mutiny” was briefly available to stream in full on Prime Video today, despite being officially scheduled to hit theaters on Friday.

Navarrette turned down a role in Mann’s upcoming epic due to her “commitment” to “X-Men” and is no longer in contention to play Sharlene, a character originated by Ashley Judd in the 1995 crime classic.

“Wildwood” is the latest from LAIKA, following “Coraline,” “ParaNorman,” “The Boxtrolls,” “Missing Link,” and “Kubo and the Two Strings,” for which Knight directed.

A24 won the rights to “Club Kid” at Cannes, in a deal said to be worth $17M. Given that A24’s Oscar slate currently includes “The Debut” and “The Invite,” maybe they can sneak this one in as well.

Krumholtz has no idea how he’ll support himself or what comes next, but says he’s frustrated, exhausted and fed up, and is taking a step back to reconsider his direction.

Remember when Holland publicly stated, “maybe I’m done with Spider-Man”? Yeah, I’m convinced that was a negotiating strategy. He now has extraordinary leverage with Sony.

Farhadi’s latest film, “Parallel Tales,” which got trounced by critics at Cannes and still has no U.S. distributor, starred Isabelle Huppert, Virginie Efira and Vincent Cassel.

So, this makes it official: Alejandro G. Iñárritu’s “Digger” will be skipping the fall festivals and instead have its world premiere at the Royal Film Performance in London’s Leicester Square.

Roger Avary’s “Paradise Lost” and Alex Proyas’ “Heaven” will get wide releases next year, on 1,500+ screens, after theater chains were shown footage from the films.

Whenever Diesel claims something about this film, eyebrows need to be raised. Diesel has repeatedly suggested over the past few years that another “Fast & Furious” film was close to shooting.