Overall, the Main Slate selection will have tons of Cannes stalwarts, with films from Hamaguchi, Almodóvar, Grisebach, Marre, Wollner, Pawlikowski, Sachs, Zvyagintsev, and Harari.

The most anticipated doc of the fall festival season has got to be Alex Gibney’s “Musk,” which is dated for theatrical release on October 16, 2026.

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

“Row K” acquired “Poetic License” out of TIFF last year, but Sony Pictures Classics has now stepped in and picked up the film. According to Variety, SPC is planning a release next year.

The Marvel sequel has surpassed $1 billion worldwide in just six days, making it the second-fastest movie ever to reach the milestone.

Zak Penn, who penned the first film, revealed that he is currently writing the sequel. It’s easily the biggest update we’ve gotten on “Ready Player Two” in some time.

The Spanish-language Oscar hopeful from Los Javis, Javier Calvo and Javier Ambrossi, will now hit theaters October 16, nearly three weeks earlier than planned, before arriving on Netflix December 2.

“Godzilla Minus Zero,” the highly anticipated sequel to Oscar-winning “Godzilla Minus One,” will have its world premiere at the 64th New York Film Festival on September 26.

I’m seeing plenty of “worst of the year” mentions for “Ice Cream Man,” which doesn’t surprise me one bit. Roth has never been a critical darling and has only been more burdened by that with each passing film.

That said, Pascal is now telling Deadline that we will get to know who is playing the next 007 by year’s end, which makes my recent October prediction still valid — and, in my view, makes the most sense.

Asked whether he’d seen the same screenplay that made Vin Diesel sob for hours, director Louis Leterrier, the supposed director of “Fast Forever,” became noticeably evasive.

We now have our first look at Eilish as Esther Greenwood, the deeply troubled young woman at the center of Plath’s iconic novel, whose tragic fate is well known to many readers — images below.

David Lowery quietly put together his next feature, “Poor Clare,” with no announcement whatsoever, and the project began shooting in Italy this month.

Sony Pictures boss Tom Rothman is telling Variety that ‘Cliff Booth’ ended up at Netflix because Quentin Tarantino was not comfortable with anyone other than David Fincher directing his script.

Hey, look at that, Jafaar Jackson has decided to seriously pursue acting after starring as his late uncle Michael Jackson in “Michael,” the $1B+ blockbuster.

Miike has directed a whopping 103 films, almost nobody’s seen all of them, but the essential works are “Audition,” “Ichi the Killer,” “13 Assassins,” and “Visitor Q.”