Here’s Fortune reporting that Universal Pictures reportedly spent $658M making 2022’s “Jurassic World Dominion,” making it the “most expensive film ever made,” according to the magazine.

We have our first look at Waititi’s Kazuo Ishiguro adaptation, which stars Jenna Ortega, Amy Adams, Steve Buscemi, and Natasha Lyonne. Ishiguro and Waititi don’t quite gel in my book, but we shall see.

The series will debut a new cybernetic lawman named Marc Kyle. Unlike Peter Weller’s Alex Murphy in Verhoeven’s ’87 original, Kyle will start off as a soldier rather than a police officer.

I always expect something provocative from Aster, and, purely based on the real-life inspirations for these characters, I presume this will be another politically charged film from Aster.

One can only assume a fuller story may emerge one day about what Taylor-Joy is hinting at here, but it does sound like she went through a very challenging experience making the film.

The new trailer for “Spider-Man: Brand New Day” hit YouTube 30 minutes ago and it’s already amassed over 630k views. This film is going to be a monster at the box-office. The people love Spidey.

Coming off his acclaimed, Oscar-nominated turn in last year’s “The Secret Agent,” Deadline reports that Wagner Moura has joined the cast of “Oceans” as the main villain.

I was wondering what King would do next after “Judas and the Black Messiah,” which earned multiple Oscar nominations and wins in 2021, including Kaluuya’s Best Supporting Actor Oscar.

The project, which remains untitled and largely under wraps, recently landed Matt Damon in its first major casting announcement. Oh and Damon are reportedly set to play parents.

Harron was asked about the remake and who she would cast as Patrick Bateman in 2026. However, Harron believes it’s a losing proposition for Guadagnino — you can’t replicate what Bale did.

It’s tied as the most expensive animated film ever made, sharing the top spot with “The Lion King” (2019) and “Tangled” (2010), both also widely reported in the $250M range.

There have been internal disputes regarding “Ray Gunn’s” theatrical rollout, runtime, and eventual rating. It doesn’t help that the film is produced by Skydance/Paramount, no friend to Netflix.

Mike Myers believes that there will be another Austin Powers in the near future. According to him, it’s happening, and that’s 24 years after the last instalment.

20th Century is still in search of a director for the next ‘Alien,’ but the process has been difficult. Sources say that Ridley Scott is not making it easy on anyone because he actually wants to direct it himself.

Barry Jenkins’ gifted cinematographer, James Laxton confirms he’s getting ready to shoot not one, but two Jenkins projects, with the first set to go into production as early as this fall.

Ironically, though, del Toro’s rejection of AI is made all the more eyebrow-raising by the sleek, highly polished, CGI-heavy look of his last few films, including “Frankenstein.”

Netflix has expressed interest in acquiring Lionsgate Studios. It would be a sizable asset for Netflix, complete with several valuable pieces of IP, including Hunger Games and John Wick.

Hancock is a hired-gun filmmaker, but he occasionally delivers strong work—“The Founder,” which explores the origins of McDonald’s, is an underrated gem from the 2010s.

We’re around six weeks away from the 83rd Venice Film Festival lineup reveal, and some titles are starting to emerge as contenders. Just not David Fincher’s ‘Cliff Booth.’