So, it turns out that Todd Field might direct again — and it might happen sooner than we all expected.

The Oscars’ snubbing of Denis Villeneuve continues to be a topic of discussion, with James Cameron now offering his own confusion over why the filmmaker wasn’t recognized.

It was not a great start Thursday night for “Avatar: Fire and Ash,” which took in $5M less than its predecessor, “The Way of Water.”

Darabont has only directed four features in 30 years, including “The Shawshank Redemption,” “The Green Mile,” and “The Mist.”

The man is a politician. Every single thing he says or does must be curated. Why would this list be an exception?

It was last April that word got out about Jarmusch’s “Father Mother Sister Brother” being rejected by the Cannes Film Festival. It was quite the surprise since Jarmusch tends to get a free pass at Cannes

Just when I was ready to mock Sony’s upcoming Labubu movie, they brought in Paul King to direct.

It’s time for production grids to start circulating for Martin Scorsese’s “What Happens at Night,” starring Jennifer Lawrence and Leonardo DiCaprio.

Here’s a trailer for Michel Franco’s “Dreams,” starring Jessica Chastain, Isaac Hernández and Rupert Friend, which can be seen below.

Screen Culture and KH Studio are gonzo. Both channels—based in India and Georgia—had well over 2 million subscribers and more than a billion views tallied.

Here’s a new poster for Christopher Nolan’s “The Odyssey,” which currently has a 6-minute prologue playing in IMAX theaters right now.

Gen Z moviegoers logged an average of 6.1 theater visits annually, up from 4.9 the previous year, with 41% of that demographic attending the cinema six times or more.

Sony Pictures Classics recently picked up Pedro Almodóvar’s latest film, “Bitter Christmas,” which was shot in the spring. A release date was set up in Spain for March 20, 2026.

Yes, that seems to be the official title of the film—or at least that’s what it’s going by in internal trailer sheets from numerous exhibitors.

Back in 2022, Cameron mentioned that he was in “discussions” to direct the next Terminator movie, and that it would be “more about the AI side of it.”

Oscar nominations are just a month away, and the Best Picture race is shaping up as a two-way showdown.

This Friday brings a handful of releases attempting to counterprogram against “Avatar,” but the one I’d actually recommend most is Paul Feig’s “The Housemaid,” a highly entertaining piece of trash in the best possible sense.

James Ponsoldt, once an acclaimed indie filmmaker, is attempting an artistic comeback with Apple TV’s “Sponsor,” which already has Jason Segel and John C. Reilly on board.

I’d never even heard of Nirvanna The Band The Show before catching this film at TIFF in September. Turns out the movie version is not only hilarious, but it’s endlessly inventive.