As various critics continue to reveal their top films of the year, I’m trying to post only about the ones worth mentioning — and this latest poll certainly fits that category.

Back in 2020, Deadline broke a wild story that had Tom Cruise in early talks with Elon Musk’s SpaceX and NASA to shoot a movie in space.

While a guest on The Joe Rogan Podcast, Ethan Hawke also framed the situation as a glass-half-full scenario, emphasizing how much “love” Dano has received over the last few weeks.

The “Sinners” mob is attacking yet another outlet’s top-movies-of-the-year lists.

The trial lasted less than two weeks, and Rinsch now faces a potential sentence of up to 90 years on wire-fraud and related charges.

The current title, I can confirm, is “The Exorcist: Martyrs,” and Johansson is set to play a small-town “rookie detective” who takes on a case involving “inconceivable darkness.”

Craig Gillespie’s “Supergirl” has unveiled a two-minute teaser. What do we think?

Damien Chazelle’s untitled prison movie is indeed moving forward. A March 2026 shoot in Greece has been set up for the film — Daniel Craig and Cillian Murphy are still attached to star.

Jennifer Lawrence and Josh Hutcherson are returning for Lionsgate’s next prequel, “The Hunger Games: Sunrise on the Reaping,” which is set to hit theaters on Nov. 20, 2026.

Well, would you look at that. Less than 24 hours after “The Bone Temple” surprise-screened in NYC and LA, Sony has decided to move forward on “28 Years Later III,” which is set to star Cillian Murphy.

The first billboards in LA and NYC are starting to appear, and as you can see from the snapshot below, the filmmaker might be going for a darker tone than, say, E.T.

Warner Bros. is expected to reject Paramount’s $108 billion offer and stick with Netflix, for now. Paramount is expected to either sue or increase its offer, which could set off another bidding war.

The Sundance Film Festival has announced its lineup, featuring new films by Gregg Araki, Macon Blair, Olivia Wilde, Andrew Stanton, Cathy Yan, Kogonada, Jay Duplass and John Wilson.

The single highest critic-audience divide that could be found is a 65% split for “The Boondock Saints.” “Five Nights at Freddy’s 2” just overtook it.

In the ‘90s, Smith became the spokesman for a misfit generation of geeky basement dwellers with his films “Clerks,” “Chasing Amy,” “Mallrats,” and “Dogma.”