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James Gunn Celebrates ‘Clayface’ A- CinemaScore: “Really Proud”

DC's "Clayface" has earned an A- CinemaScore from opening night audiences. That's a very good grade for any movie, and an especially rare one for horror, a genre audiences tend to grade harshly.

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Alex Garland's ‘Elden Ring' Now Costs Around $200M — A24 Isn't an Indie Studio Anymore

The Wall Street Journal reports that "Elden Ring" actually cost around $200M to make, nearly double what was floated when cameras started rolling in April. The film is still dated for March 3, 2028.

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‘Out of This World’: Albert Serra Calls His Riley Keough Film a “Masterpiece” — After Shooting 500 Hours of Footage

Now, before anyone criticizes the self-praise, this is nothing new for Serra. The man has been his own biggest hype machine for many years now.

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J. Todd Anderson, the Coen Brothers’ Longtime Storyboard Artist, Has Died at 67

The NYT went so far as to suggest in its obituary headline that the “Coens may be lost without him,” and Ethan's own words back that up: if you love their movies, he said, "a lot of it is him — more than people know."

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‘Wildwood' Actually Has a $400M+ Budget? It May Be the Most Expensive Animated Film Ever Made

One source describes the actual cost of bringing Knight's 17-year passion project to the screen as "astronomical." Another goes further, claiming "Wildwood" is the most expensive animated movie ever made.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Warner Bros. to Reject Paramount’s $108 Billion Bid and Stick With Netflix — Bidding War Inevitable

December 10, 2025 Jordan Ruimy

Warner Bros. will reject Paramount/Skydance’s $108 billion offer and stick with the Netflix acquisition, according to Bloomberg. Paramount is expected to either sue or increase its offer, which could set off a bidding war.

Warner Bros. had been given 10 business days — as required by law — to respond to Paramount’s hostile $30-a-share bid for the company. That apparently won’t be enough to sway the Warner Bros. board, who have “no plans” to cancel the merger agreement signed last week with Netflix. Had the deal been canceled, Warner Bros. would have been required to pay Netflix a $2.8 billion termination fee.

Now all eyes on Paramount/Skydance, which is expected to up the ante—offering more money, and maybe even suing Warner Bros. Fun times. The big winner here is Warner CEO David Zaslav, who stands to make around $1 billion whenever a deal goes through, whether it is with Netflix or Paramount. It’s not hard to see that rejecting yet another offer from Paramount is tactical; Warner Bros. knows how desperate the Ellisons are and figures the offers will keep getting higher and higher.

The report further adds that, much to the shock of nobody, shareholders of Warner Bros. are “hoping” for a bidding war that could further boost the price of the deal. Both Netflix and Paramount have communicated that they are willing to increase their offers.

This all aligns with Charles Gasparino’s reporting that Zaslav has told people if Paramount/Skydance can come up with an extra $5 a share, it could upend the sale to Netflix.

Paramount’s backer Larry Ellison is worth more than $270 billion, Netflix has a market value of $441 billion, so money shouldn’t be a problem for Netflix to counteroffer — if that’s the road they want to take — but since their Warner Bros deal went through last week, their stock has gone down 6% and a potential bidding war would further dwindle it.

So who will prevail? According to Puck’s Matt Belloni, Paramount/Skydance holds the edge:

Netflix will let Paramount have Warner Bros. Discovery ‘at a certain point […] The Ellisons can go up as much as they want, and that is the key here. Netflix at some point will bow out.

It helps that Larry Ellison’s close relationship with Trump and Paramount’s relatively limited overlap with WBD’s businesses have led many to viewing them as the more realistic option, even though the deal would still merge two major film studios. Netflix, by contrast, faces steeper scrutiny; if its offer wins, it would command about 30% of the streaming market—an outcome that has already drawn concern from the Trump administration.

← Spielberg Poster Teases Mysterious New UFO Movie: “All Will Be Disclosed”Sundance 2026: New Films From Gregg Araki, Kogonada, Andrew Stanton, Cathy Yan, Macon Blair, Olivia Wilde and More →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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