In December 2022, Swift had announced her Disney-backed Searchlight-produced directorial debut with an original script, written by her. How serious is this? Very serious.

Maika Monroe and Mary Elizabeth Winstead star in 20th Century Studios’ remake of “The Hand That Rocks the Cradle.” Michelle Garza Cervera (“Huesera: The Bone Woman”) directs

Looks like Lucasfilm/Disney have surprisingly, settled their legal standoff with Gina Carano, ending the post-Mandalorian fallout with a mutual agreement.

“High Side,” a hot new package set to reunite between Timothée Chalamet and James Mangold, has landed at Paramount.

Dave Bautista is set to join Henry Cavill and Russell Crowe in Stahelski’s revival of the 1980s cult swords-and-sorcery epic.

Radu Jude, one of Europe’s most vital provocateurs, is working on a “Frankenstein” adaptation, starring Sebastian Stan. I’m not trolling you.

Borgli’s “The Drama” stars Zendaya and Robert Pattinson, and it’s already generating great word of mouth, according to multiple sources that attended an ultra-private screening in June.

Details remain under wraps for now, but sources indicate that the project will take the form of a feature film, not a series, a point of speculation when the rights were first acquired.

This isn’t the first time Smith has butted heads creatively with a director—if anything, it’s become something of a pattern.

The third instalment, often referred to as “Sicario: Capos,” has been in the works since around 2018. It had been confirmed that a script was written.

Warner Bros CEO David Zaslav has now confirmed that Matt Reeves’ “The Batman: Part II,” will indeed be shooting in “spring 2026.”

One of the more intriguing films debuting this fall has got to be Kathryn Bigelow’s “A House of Dynamite.” There’s been no trailer, one measly image, and a small synopsis.

AMC theaters, the country’s largest movie exhibition chain, is quietly working behind the scenes to shorten its bloated pre-show content, perhaps even by the end of the year.

It’s been seven weeks since “KPop Demon Hunters” was released, and the viewing numbers on Netflix refuse to come back down to earth.

Joe Swanberg, one of the central architects and amplifiers of the mumblecore genre, hasn’t directed a feature length film since 2017’s underrated “Win it All.”

While Jordan Peele is still deciding what his next film will be, the just-released trailer for “Him” cannot be mistaken as Peele’s long-teased next film. Even though it will.

Cregger has suddenly become Hollywood’s horror golden boy. “Weapons” is his big swing, and if it connects, which all signs are pointing to, it could fully launch him into the top tier of genre auteurs.

Now, I don't know how much Marvel paid Robert Elswit to be cinematographer on this upcoming ‘Punisher,’ but they clearly watched his night scenes in “Nightctawler” and said “we want THAT.”

Despite premiering almost nine months ago, it’s now headed to the fall fests with bows at NYFF, TIFF, and Telluride. Don’t be surprised if it also screens at the BFI London Film Festival.