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Sandra Hüller to Play Male Writer in Maria Schrader’s ‘Work and Structure’

Hüller, known for her roles in “Anatomy of a Fall,” and “The Zone of Interest,” will take on the role of Wolfgang Herrndorf, who began recording his experiences after receiving a terminal brain tumor diagnosis.

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‘The Runner,’ Starring Gal Gadot, Is One of 2026’s Worsty-Reviewed Films With a 9% on Rotten Tomatoes

“The Runner,” which is basically another riff on “Run Lola Run,” a movie centered on characters moving through a city, is getting some of the worst reviews of the year.

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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The Russos Defend Shooting ‘Avengers: Doomsday’ Without a Finished Script: “We’re Improvisation-Based Directors”

Yes, ‘Doomsday’ was shot without a finalized script. It was being written as production rolled on. The screenplay was still under development on set, with daily rewrites and updates in progress.

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Paul Schrader’s ‘Three Guns at Dawn’ Is Now an AI Movie, Antoine Fuqua No Longer Involved

Schrader has been open to AI in filmmaking. He frequently posts AI-generated images of himself on Facebook and has admitted to using AI for script ideas. Did it come up with this new version of “Three Guns at Dawn”?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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AMC to Cut Bloated 30-Minute Pre-Show Runtime Following Backlash

August 6, 2025 Jordan Ruimy

Sources are telling Deadline that AMC theaters, the country’s largest movie exhibition chain, is quietly working behind the scenes to shorten its bloated pre-show content, perhaps even by the end of the year.

AMC had been quietly expanding its pre-movie “experience,” which now includes up to 30 minutes of ad content and trailers before a single frame of the actual film played. Last month, the chain even slapped a disclaimer to allow for “25–30 minutes” of ads and trailers before the actual movie starts.

Studios weren’t amused. For them, trailers are still one of the last surefire ways to get people to care about an upcoming release. And now they’re watching audiences time their arrivals to miss them entirely.

Some studios even commissioned internal research last month, tracking pre-show runtimes across the country. One wide release reportedly saw pre-shows running between 24 to 28 minutes.

According to internal studio data shared with, only 20% of viewers were seated at the listed showtime during a June screening of “28 Years Later” in Chicago. It took another 12 minutes to get most of the crowd inside, and the place didn’t fill up until just before the movie started.

It’s worth noting that independent theaters and chains like Alamo Drafthouse often cap their pre-show content at a more reasonable 10-15 minutes. Maybe that’s part of why they’re seeing growing loyalty among the more discerning crowd.

However, here’s the thing: if the theatrical experience starts to feel too stretched out, people will eventually stop showing up. Studios are already pouring money into trailer placements. If no one’s watching them, what’s the point? The more AMC tries to milk short-term ad dollars, the more they risk alienating the very system they depend on to survive.

It seems like studio pressure has made them change their tune, and it’s all for the better.

← First Look at Rebecca Ferguson in Kathryn Bigelow’s ‘A House of Dynamite’Denis Villeneuve’s ‘Dune: Part 3’ Is Being Shot on Film — A First for the Franchise →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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