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Alex Gibney’s ‘Musk’ Flops at the Box Office With $290K Weekend, $614 Per-Screen Average

No official figure has been reported, but best guess is the budget landed somewhere in the $10M range. HBO pre-bought the streaming rights, but that was before David Ellison took over

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‘Michael’ Gets Standing Ovation at DGA Oscar Screening — Best Picture Nomination a Possibility?

This absolutely matters. That room was practically all Oscar voters. Fact remains, “Michael” was always going to contend for a best picture nomination, you just had to set your biases aside.

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Kevin Costner Isn't Giving Up on ‘Horizon’: “Ultimately We Are Going to Release Four Movies”

Back in May, a Warner Bros. source told me ‘Chapter 2’ wasn't coming out in 2026. It was “not in the plans.” The film has been finished for two years.

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Box-Office: ‘Whalefall' Bombs With $7M Opening on $60M Budget

Duffield's "Whalefall," the survival thriller about a diver swallowed by a sperm whale, is heading toward a roughly $7M-ish opening weekend, according to the most recent Saturday update.

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‘You Can See Everything' Headed For $15M Weekend, 2000+ Sellouts in Just 855 Theaters — The Five Best Moments. What Did You Think? Post Your Review!

So, those of you who went this weekend: what did you make of it? Where do you land on Holmes, and — most fascinatingly — on Billy Evans, her sniffling, controlling, weirdo husband?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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AMC to Cut Bloated 30-Minute Pre-Show Runtime Following Backlash

August 6, 2025 Jordan Ruimy

Sources are telling Deadline that AMC theaters, the country’s largest movie exhibition chain, is quietly working behind the scenes to shorten its bloated pre-show content, perhaps even by the end of the year.

AMC had been quietly expanding its pre-movie “experience,” which now includes up to 30 minutes of ad content and trailers before a single frame of the actual film played. Last month, the chain even slapped a disclaimer to allow for “25–30 minutes” of ads and trailers before the actual movie starts.

Studios weren’t amused. For them, trailers are still one of the last surefire ways to get people to care about an upcoming release. And now they’re watching audiences time their arrivals to miss them entirely.

Some studios even commissioned internal research last month, tracking pre-show runtimes across the country. One wide release reportedly saw pre-shows running between 24 to 28 minutes.

According to internal studio data shared with, only 20% of viewers were seated at the listed showtime during a June screening of “28 Years Later” in Chicago. It took another 12 minutes to get most of the crowd inside, and the place didn’t fill up until just before the movie started.

It’s worth noting that independent theaters and chains like Alamo Drafthouse often cap their pre-show content at a more reasonable 10-15 minutes. Maybe that’s part of why they’re seeing growing loyalty among the more discerning crowd.

However, here’s the thing: if the theatrical experience starts to feel too stretched out, people will eventually stop showing up. Studios are already pouring money into trailer placements. If no one’s watching them, what’s the point? The more AMC tries to milk short-term ad dollars, the more they risk alienating the very system they depend on to survive.

It seems like studio pressure has made them change their tune, and it’s all for the better.

← First Look at Rebecca Ferguson in Kathryn Bigelow’s ‘A House of Dynamite’Denis Villeneuve’s ‘Dune: Part 3’ Is Being Shot on Film — A First for the Franchise →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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