Surprise! Here’s the first trailer for Yorgos Lanthimos’ “Bugonia.” The film is set to hit theaters on October 24, before expanding nationwide on Halloween. The film is almost certainly heading for a Venice Film Festival premiere in early September.

‘Rogue One’ defied the odds: dark, morally grey, grounded in the grit of rebellion, and capped by one of the most beautiful endings in the franchise — a climax that actually meant something.

Is Soderbergh really about to drop his third film of the year? This past spring saw the release of both “Presence” and “Black Bag,” and now it’s “The Christophers.”

Paul Greengrass is shooting his next film, “The Rage,” this fall. This is a project which pairs Andrew Garfield and Thomasin McKenzie and will lens entirely in Bavaria.

Hot off the wire, Denis Villeneuve will realize his life’s dream as he has just signed up to direct the next James Bond movie for Amazon/MGM.

Romero’s best film might actually be the underseen “Martin” — a haunting, overlooked vampire story from the late ’70s that deserves far more attention.

After years of vague teases and sidesteps, Aaron Sorkin is set to write and direct “The Social Network Part 2.”

In a recent GQ interview, Kosinski casually dropped a nugget. He revealed that he wants Cruise and Pitt to star in a crossover between “Days of Thunder” and the upcoming “F1.”

Apparently, we haven’t had enough of “Sense & Sensibility.” Georgia Oakley, coming off the quiet indie success of “Blue Jean,” is taking a swing at Jane Austen’s oft-adapted classic, with Daisy Edgar-Jones.

“Eden” first showed up eight months ago in Toronto, where it received a lukewarm reception. This is a high-stakes, psychological survival tale based on a true story, set on a remote island in the Galápagos.

Let’s not forget: the ‘Fantastic Four’ have had a rough go at it on screen. From the mid-2000s cheese to that 2015 embarrassment (“Fant4stic”), it's been a string of flops. Can Feige and Co. finally break the curse?

It’s been a long time coming, but Derek Cianfrance is finally back. His latest feature, “Roofman,” is already being positioned for a major festival run in fall 2025.

Yes, “The Stand.” King’s apocalyptic novel, all 1,152 pages of it. A behemoth. A Mount Everest of tales that Hollywood has tried, and mostly failed, to make for decades.

This is yet another in a growing trend for Pixar, which has been leaning harder than ever into sequels and legacy IP. They already have three other sequels coming up.

According to THR, Brandon Flynn (”True Detective: Night Country”) has been cast as the Hollywood icon in “Willie and Jimmy Dean.”

Here’s your first look at Cillian Murphy in “Steve,” which follows a harrowing day in the life of a teacher at a last-chance reform school.

John Lasseter’s exit marked a turning point for Pixar. As the creative force behind nearly every Pixar classic, Lasseter brought not just vision, but a deep understanding of storytelling

If this doesn’t land—critically or commercially—it may cement Jones as a cautionary tale of wasted promise. But if it works? Then maybe “Moon” and “Source Code” weren’t flukes. Maybe “Warcraft” and “Mute” were detours.