“Gonzo Girl,” Patricia Arquette’s directorial debut, world premiered at the Toronto International Film Festival in 2023, to weak reviews. The film still has no U.S. distributor.

Kane Parsons, 19, just hit the jackpot. The young YouTube filmmaker, known for his eerie short films, has been tapped by A24 to direct a feature-length adaptation of his viral hit, “The Backrooms.” Roberto Patino (“DMZ”) is set to write the screenplay.

Celine Song isn’t slowing down. After the critical success of “Past Lives” and the upcoming romantic comedy “Materialists,” the filmmaker is making her move to HBO.

Although he hinted having recently come up with a story for a potential ‘Raid 3,’ Gareth Evans will be putting that project aside, for now, and instead tackle the Yakuza.

I’m not entirely sure what Netflix has planned for “The RIP,” starring Matt Damon and Ben Affleck, but a leaked trailer has surfaced online—and the film looks like it has real potential to be a solid action flick.

If you’re a Martin Scorsese completist, and intend to watch his entire filmography, then good luck finding a copy of “Kundun.”

Netflix and David Fincher’s “The Adventures of Cliff Booth” is steadily coming together, with Deadline reporting that Yahya Abdul-Mateen II (“The Trial of the Chicago 7”) is set to join the cast.

Last December, I reported that, despite rumors, Brad Bird would not be directing “Incredibles 3.” A simple reason for this: Bird is too busy shooting his decade-in-the-making project: “Ray Gunn.”

With “Superman” set to hit theaters on July 11, followed by Milly Alcock’s “Supergirl: Woman of Tomorrow” in June 2026, here comes news that James Gunn and Peter Safran’s DCU Studios are now officially working on a reboot of “Wonder Woman.”

Does anyone remember Siân Heder “CODA”? It snagged Best Picture in 2022? Truly the Academy's boldest move since... well, ever. A heartwarming Apple TV+ flick about a deaf family that had Oscars voters going for the feel-good vote over far superior films.

The last 15 years have been a relentless cycle of familiar IPs driving ticket sales worldwide. Yet, despite this, one original film has managed to break through the noise: Ryan Coogler’s “Sinners.”

It’s June 2, 2020. The pandemic is in full swing, and the small town of Eddington, New Mexico is descending into madness. Paranoia, mask wars, and a battle for control of the town—this is the backdrop of Ari Aster’s newest descent into chaos.

Audiences seem underwhelmed by its tonal shift from Orwell’s bleak satire toward a more family-friendly narrative, which apparently includes lots of flatulence.

Known primarily for her roles in “Euphoria” and “Reality,” Sweeney appears to be making a sharp turn by shedding her bombshell image in favor of something grittier.

Boyle has now revealed that “Sunshine” was nearly the start of something bigger. The filmmaker, whose “28 Years Later” releases in just a few weeks, tells Collider that “Sunshine” was originally envisioned as the first part of a trilogy.

Now, six years later, “An Officer and a Spy” will finally see the light of day in the US as the film has set up an August 8 theatrical debut at NYC’s Film Forum.

“Unrecorded Night” was a mysterious project Netflix had initially approved, with Laura Dern and Naomi Watts rumored to star, only for COVID to pause development indefinitely.

Craig Brewer’s Snoop Dogg biopic has cast Jonathan Daviss (“Outer Banks”) in the lead role (via Deadline). No word yet on when production is set to begin.

It’s no shock to see Ryan Coogler’s “Sinners” take the top spot — it remains the only clear Best Picture contender to emerge in 2025 so far.

Honestly, not bad for a live-action remake. I’m not the targeted audience for it, but positive ink will surely help it commercially. Internal tracking has the film aiming for a $90M-$100M opening weekend.