Honestly, not bad for a live-action remake. I’m not the targeted audience for it, but positive ink will surely help it commercially. Internal tracking has the film aiming for a $90M-$100M opening weekend.

Eddie Murphy's return to the big screen in “The Pickup,” which just released its trailer, doesn’t look like a comeback; it looks outright bad. Eddie Murphy looks bored. Pete Davidson isn’t funny.

Celine Song’s “Materialists” isn’t personal in the way her debut “Past Lives” was. It’s a self-aware riff on the classic love triangle rom-com, dressed up in the aesthetics of an A24 indie.

It appears James Gunn has decided to scrap Superman’s episodic title cards during the editing process. The film has been turned into a continuous, single narrative in the final edit.

Remember McG? Yeah, that guy with a single-letter last name who somehow convinced Hollywood he was the next big thing by directing “Charlie’s Angels” like a red bull commercial.

As the latest instalment, ‘Final Reckoning,’ continues its journey at the box-office— $450M worldwide and counting— I’ve decided to rank all eight films, some of which I hadn’t rewatched in almost three decades.

Apple TV+ has dropped the first trailer for “The Lost Bus,” the latest thriller from director Paul Greengrass with Oscar-winner Matthew McConaughey front and center.

Lars von Trier stories are always a fascinating ride — equal parts outrageous, uncomfortable, and oddly entertaining.

The legendary Robert Richardson is currently behind the camera on David O. Russell’s Madden, which is in the thick of production right now.

The John Wick universe just took its first major stumble. Ana de Armas-led “Ballerina,” a spin-off of the Keanu Reeves-led franchise, underperformed and is expected to land a soft $25M domestic opening weekend.

Chazelle’s film, which is supposed to shoot this October in Los Angeles, is being described as a ‘70s style, gritty, mid-budget prison drama with action elements.

You’ve got to hand it to Ridley Scott, he’s 88 and has a bunch of projects in development, many of which I presume will never see the light of day.

The November release date echoes the strategy Neon used for “Anora” and “Anatomy of a Fall,” signaling a clear intent to build “long-lead word of mouth” once again.

Ben Stiller is attached to direct “The Twilight Zone” for Appian Way and Warner Bros. Stiller has been developing the film quietly for about six months now.

Hard to believe, but Christopher Nolan’s “The Odyssey” is still filming. In fact, they’re only a little more than halfway done.

I was cautiously intrigued by Andy Serkis’ upcoming “Animal Farm” adaptation, but first footage has just been released, and given the famously bleak source material, the cutesy animation style feels off.

Casting is currently underway to find an actor to play Snoop. They’re not looking for a familiar name, but are instead eyeing a newcomer to take on the task of playing the rapper.

While no deal is imminent and no studio has emerged as a clear frontrunner, some names have emerged as being very interested in acquiring the IP.

Fresh off finishing production on Christopher Nolan’s “The Odyssey,” Mia Goth (“Pearl”) has signed on to co-star with Ryan Gosling in “Star Wars: Starfighter” (via TheInSneider).