After a buzzy six-screen debut last weekend, Andrew DeYoung’s “Friendship” pulled in a spectacular $1.4M from just 60 theaters in its second frame

Netflix is also shelling out a massive $35M to lock in Denzel for the newly announced crime thriller “Here Comes the Flood,” which will also star Robert Pattinson and Daisy Edgar-Jones.

Guillermo del Toro is steering his adaptation of “Frankenstein” away from traditional horror and leaning into something far more personal and emotional.

We’re only halfway through Cannes, but chatter has already shifted to what might surface on the Lido later this year. It’s looking like a strong lineup of films will be unveiled.

Andrew Garfield is now in active negotiations to take over the lead role from Matthew McConaughey, who had previously been attached. 

I haven’t had the time to write a review for Wes Anderson’s “The Phoenician Scheme,” but at first viewing, I’m underwhelmed by it. As it stands, it’s one of his lesser efforts.

The first major deal out of Cannes has landed—and it’s a big one. MUBI has snapped up U.S. rights (along with several other territories) to Lynne Ramsay’s latest

Following her Palme d’Or win and Oscar for Best Original Screenplay, Justine Triet—the French filmmaker behind “Anatomy of a Fall” —has been attracting serious attention from Hollywood.

To think, ‘Bloodlines’ was initially planned as a streaming-only release on HBO Max, and only switched to theatrical in August 2024. Goes to show how important theatrical can be for a film.

We’re eagerly anticipating Chomet’s “The Magnificent Life of Marcel Pagnol,” set to be his first animated feature in 15 years. The film premiered yesterday at Cannes.

“Near Dark,” Kathryn Bigelow’s awesome 1987 vampire neo-Western is being developed as a series over at A24. Bigelow herself is involved in some capacity.

Jennifer Lawrence has never been one for half-measures, but it’s been a while since we’ve seen her go this raw, this unfiltered, this dangerous.

Richard Linklater has always been more interested in moments than plot. In “Nouvelle Vague,” his tribute to Jean-Luc Godard’s “Breathless,” he turns the French filmmaker’s story into — what else — a hangout movie.

In an interview with Deadline, Lee admits he’s been struggling with budgeting and is still seeking approval from Sony Pictures to move forward with the film he’s been developing for years.

Stewart mentioned having submitted a very rought cut of ‘Chronology’ for Cannes, and that she will now be going back to the editing room after the festival.

Here’s a trailer for Richard Linklater’s “Nouvelle Vague,” which is set to screen less than four hours from now here at Cannes.

We’re all hoping for a reunion between the Coen brothers. They’re one of the great living filmmakers. Sadly, fans will have to be patient a little longer.

Two months after Texas Chainsaw Massacre rights quietly hit the market, the iconic horror property remains in limbo—and director Osgood Perkins is trying to change that.