Let’s call this our quote of the day. The honor goes to Christopher Walken who tells The Wall Street Journal that his relationship with technology is nonexistent to the point where he clearly can’t distinguish the difference between Twitter and X.

Soon, another musical will be added to John M. Chu’s filmography. It’s just been announced that, after the release of this year’s “Wicked: For Good,” Chu’s next project will be a music-centered adaptation of Dr. Seuss’ final book.

Tarantino was a special guest, to a very receptive audience, at this afternoon’s Sundance Film Festival panel, and finally addressed why he’s paused his next project.

As far as I’m concerned, there hasn’t been a “great” Pixar film since “Inside Out” (2015,) and that was 10 years ago. Since then, Pixar’s only flirted with greatness, the two most notable examples being “Coco” (2017) and “Soul” (2020).

Stephen King is praising “The Monkey” and his words mirror my own: it’s bloody insane. No, really, it’s over the top, batsh*t crazy debauchery. It has none of the slow-burn nature of Perkins’ previous films.

If you’re wondering what’s going on with Noah Hawley’s “Alien: Earth” series, which was greenlit more than five years ago, well, a teaser was just released.

A new “Superman” teaser was released yesterday, and it featured a few new shots, including a close-up that’s already blowing up the internet, but for all the wrong reasons.

As Sundance rolls along with its final day of premieres, Bill Condon’s “Kiss of the Spider Woman,” starring Jennifer Lopez, screened at the Eccles theater last night. The reviews aren’t flattering.

Any other decade, Cooper Raiff would probably get his modestly budgeted projects greenlit by a studio. After all, Raiff’s first two films (“Shithouse” and “Cha Cha Real Smooth”) won top prizes at SXSW and Sundance, respectively. Raiff is just 27 years old.

Some cracks are starting to show. Mendes recently stated that he was going to be busy making these four Beatles movies until “mid-2028.” Aren’t they supposed to be released in 2027? Apparently, that might not be the case. Apple’s official statement said 2027.

According to Variety, Christopher Nolan is committing to authenticity. “The Odyssey” will be partly filmed in a little island in Sicily which, according to scholars, was the location Homer envisioned for Odysseus’ landing in the epic.

Eric Roth has written an adaptation of Arthur C. Clarke’s “Rendezvous with Rama” for Denis Villeneuve to direct. Of all the projects Villeneuve has percolating next, after ‘Dune: Messiah,’ this is the one I’m most excited for.

The latest Oscar backlash has to do with surprise Best Actress nominee Fernanda Torres. The “I’m Still Here” actress already won the Golden Globe, and some have her as the dark horse to win the Oscar. Not so fast.

Lynne Ramsay’s “Die, My Love,” starring Robert Pattinson, Jennifer Lawrence and LaKeith Stanfield, will have its world premiere at the Cannes Film Festival in May.

It’s looking like a pretty tame Sundance Film Festival in terms of buzzy titles this year. We’re currently on Day 4, and the consensus seems to be that Mary Bronstein’s “If I Had Legs I’d Kick You,” produced by A24, is the best buzzed title (81 on Metacritic).

Despite the No. 1 opening, Mel Gibson’s “Flight Risk,” which topped the box office this weekend with a $12.5M intake, doesn’t look it’ll be making much of a dent in the coming weeks. The budget on this one was $25M.

A Chinese outlet is reporting that, after his uber-successful “Blossoms,” we might have to wait a little longer for Wong Kar-wai’s next film since he’s working on yet another Chinese TV series.

Robert Eggers is a filmmaker who stays on brand. He’s all about folktales, myths, which include witches, vampires and very soon, Werewolves. All his films either span the Viking Era, the 1630s or 1890’s New England.

There are currently four studios in the middle of this “intense” bidding war for Zach Cregger’s “Resident Evil” reboot, including Warner Bros and Netflix. The other two studios were not named.