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‘The Uprising’ Bombs With $3M

Paul Greengrass’ "The Uprising," starring Andrew Garfield, opened to $3.2M from 2,068 theaters this weekend. Yikes. The budget hasn’t been disclosed, but is said to be in the $20-$30M range.

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Na Hong-jin’s ‘Hope’ Made $3.5M This Weekend. Did You See It — and What Did You Think?

“Hope,” Na’s first film in ten years — his last one being the exemplary “The Wailing” —is a gloriously messy, blood-soaked sci-fi epic that may become a cult classic despite—or because of—its polarizing nature.

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‘Mr. Irrelevant' Trailer: David Corenswet's High-Testing Sports Biopic Got Jonathan Levine the ‘Days of Thunder 2' Job

The David Corenswet-starring "Mr. Irrelevant” is coming off strong test screenings that led Paramount to position Jonathan Levine's sports biopic for a Christmas Day wide release.

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Vertical Saves $100M ‘Cliffhanger’ Reboot! Targets Spring 2027 Release

Before practically going bankrupt, Row K had planned to release "Cliffhanger" in August 2026 on more than 3000 screens nationwide — hopefully with Vertical it hits as many theaters.

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Box Office: ‘Practical Magic 2’ Underwhelms With $29M+ Opening

Wait, what happened? Predictions had "Practical Magic 2" finishing in the $40M opening range after strong $4.7M Thursday previews and robust presales. Now it's struggling, and might not even hit $30M.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Paul Thomas Anderson's ‘One Battle After Another' Test Screens

January 24, 2025 Jordan Ruimy

Paul Thomas Anderson’s latest screened on Thursday evening in Phoenix. Anderson was in attendance, and in good spirits. This is going to be one lengthy film — the film clocked in at 2 hours 50 minutes. The cut shown looked “close to finished.”

We finally have some concrete details about this one, which garnered positive reactions. Obviously, as with all such screenings, it’s very hard to measure just how good (or bad) a film is going to turn out, so I’m not even going to bother with any of the in-depth reactions I’ve been hearing about.

What I will say is that our initial hunch has proven to be correct. This is, more or less, Anderson’s take on “Vineland,” but in the most mainstream way imaginable. The story is taken straight out of Thomas Pynchon’s novel, although the character’s names have been changed, and there are enough differences for the film to firmly stand on its own.

As far as the title goes, it’s definitely called “One Battle After Another.” Based on what I’ve heard, that’s a very apt description of the entire film which goes from one big elaborate action set-piece after another. It’s a “huge crowd-pleaser” with “lots of stunts and car chases.”

Sean Penn plays Col. Steven J. Lockjaw and he’s a “white supremacist” who somehow had an affair with Teyana Taylor’s character. She ends up leaving him, taking up with with Leonardo Dicaprio’s “Bob” and that’s when Lockjaw tries tracking both of them down. It’s a 3-hour chase movie, but despite its dark themes, is very funny, filled with comedic elements, including slapstick.

According to one source, the best way to describe “One Battle After Another” is as a “big action comedy,” and one can very much witness Jonathan Demme’s influence, especially his great 1988 film “Something Wild,” which itself was a hybrid of action and very dark humor. Anderson’s film seems to have taken Demme’s template, and blown it up into a 3-hour epic.

As far as the performances go, Leonardo DiCaprio is his usual great self, but it’s Sean Penn who seems to steal the show as Lockjaw. Sporting a greyish buzzcut, Penn’s Lockjaw is described as a “great villain” that’ll be giving you some real nightmares once you’ve finished watching the film.

Warner Bros. greenlit PTA’s latest for the whopping sum of (at least) $140 million. The film is said to be PTA’s most “mainstream” film to date.

“One Battle After Another” is set to be released in theaters on August 8, 2025, including IMAX. The still-untitled film stars Leonardo DiCaprio, Regina Hall, Sean Penn, Alana Haim, Teyana Taylor, Chase Infiniti, Wood Harris and Shayna McHayle aka Junglepussy.

UPDATE: The Film Stage has its own report, having spoken to an attendee who called the film “batsh*t crazy.” Penn gets the second most screentime after DiCaprio. Johnny Greenwood’s score is “chilling” with a “techno” style. The piece also confirms my previous reporting that PTA’s film has “some sci-fi elements” and is inspired by both Demme’s “Something Wild” and Alex Cox’s “Repo Man.”

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

Phoenix is set to reunite with Mills on this next film, which is being distributed by A24 and starts shooting January 2027. This will be Phoenix’s first film since “Eddington.”

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Paul Thomas Anderson Has Already Chosen His Next Film, Jonny Greenwood Says

“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily. 

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Ridley Scott Says “I Didn’t Say That” After Calling ‘The Dog Stars’ His Best Movie Since ‘The Martian’

In June 2026, Scott told The Buyer that “The Dog Stars” is “probably the best movie I’ve done since The Martian.” He’s now denying he ever said that.

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Todd Field-Written ‘The Girls’ Sets Antoneta Alamat Kusijanovic to Direct, November Shoot

Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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