This latest find seemingly confirms my original reporting, that Villeneuve is indeed working on an adaptation of Korean author Bo-Young Kim’s short story “I Am Waiting For You.”

Last week, a report from Daniel Richtman claimed that Bong Joon-Ho’s “Mickey 17” being delayed until January 2025 had to do with Bong being refused final cut on the film, and Warner Bros. wanting to release a “more accessible” version of the film.

Looks like “Gladiator II” re-shoots/pick-up shots are underway in Sussex. Production on the film had wrapped on January 17, but there are now two separate reports of filming currently taking place at Brighton.

Some believed that Oliver Hermanus’ “The History of Sound,” starring Paul Mescal and Josh O’Connor, might crash this year’s fall festival circuit, but a report (via Awards Watch) has Hermanus completely nixing that idea.

Hearing shaky things about this one. It might have the same fate as Audrey Diwan’s “Emmanuelle” and not show up at either Cannes or Venice … However, Telluride is a real possibility for a world premiere. Just what I’m hearing.

Richard Linklater’s “Hit Man” is now streaming in the U.S. on Netflix, and theatrically in a host of other countries, including Canada. So, what did our readers think of the film?

Sony‘s “Bad Boys: Ride or Die” made $21.6M on Friday, on its way to a $53M opening. The fourth instalment in the franchise, currently playing in 3,885 theaters, might actually hit the $55M mark by Sunday evening.

On Friday, after an advanced screening of “Inside Out 2,” Pixar CCO Pete Docter seemingly confirmed that the upcoming “Toy Story 5” will be directed by longtime Pixar filmmaker Andrew Stanton.

Celine Song’s “Past Lives” was not only a Sundance sensation, but also went on to get Best Picture nominated at the Oscars. Whatever film Song did next was going to be met with a lot of anticipation, especially by critics.

It’s no secret that this ‘Crow’ reboot has been in development hell for the better part of 15 years. One of the key figures in this saga was screenwriter Cliff Dorfman (Warrior, Entourage) who wrote, at least, two drafts for the film, in 2012 and 2014.

One of the great legends in movie history is the original, still unfound, cut of Orson Welles’ “The Magnificent Ambersons.” William Friedkin once called it the “holy grail of cinema.”

This was a brutally entertaining pulpy neo-noir from Rose Glass. She’s definitely a talent to watch as this was only her second feature film, the other being “Saint Maud.” She’s only 34.

Sony‘s R-rated “Bad Boys: Ride or Die” did $5.9M yesterday at previews, only 8% off from the previews of 2020’s “Bad Boys for Life,” which did $6.3M. According to Deadline, it’s now looking at a $40M opening weekend.

Lionsgate had some very high expectations for Antoine Fuqua’s upcoming Michael Jackson biopic, which the studio believes could hit the $1B mark at the box-office when it gets released early next year.

David Lowery has set up what could potentially be his next film, an adaptation of Ottessa Moshfegh’s novel “Death in the Hand” — a mystery-thriller with an unreliable narrator.

It’s come to my attention that Krsyty Wilson Cairns is writing all four Beatles films. If that name rings a bell, it’s because Cairns is also writing Denis Villeneuve’s still-in-development “Cleopatra.”

With Adam Wingard having recently left the Monsterverse, Warner Bros. and Legendary were searching for a director to helm their next franchise installment.

It has been confirmed, by a second source, that Peele did indeed meet with Marvel Studios, and it was to specifically discuss the next “X-Men” movie.

I always thought Will Smith was a talented actor with a debilitating tendency to choose mediocre scripts. Scrolling through his filmography, he has close to 50 acting credits listed and most of them aren’t good movies.

Michael Haneke’s “The White Ribbon” ended up winning the Palme d’Or, but it turns out that it was a compromise as part of the jury was split on two other notable films: “Antichrist” and “A Prophet.”