What an impressive debut. Maggie Gylenhaal’s “The Lost Daughter” is such an assured directorial effort, using its mise-en-scene magnificently to tackle such a taboo subject. Along with Rebecca Hall’s “Passing,” it’s the best American debut of the year.
Read moreDetails About Ryusuke Hamaguchi’s ‘Our Apprenticeship’ Revealed
About NYFCC vs Ruimy …
Amidst the brouhaha going on, in the fake world of Twitter, over my reporting on the NYFCC runners-up, what struck me most is how herd mentality has infected American film criticism over these last five or so years.
Read moreGuillermo del Toro Confirms There’s A Black and White Version of ‘Nightmare Alley’
Guillermo del Toro is telling IndieWire that a Black and White cut for "Nightmare Alley" exists, which he "hopes can be seen."
Read moreNYFCC Runners-Up; ‘The Power of the Dog’ Almost Won Best Film
I was doing a bit of sleuthing last night, asking around about what was in contention at the New York Film Critics Circle. Of course, the group doesn’t reveal the runners-up, but I personally know a few members from the group who were happy to divulge some details.
Read moreMore Plot Details Revealed on Paul Verhoeven’s ‘Young Sinner’
‘Flee’: Overpraised Animated Documentary Tackles an Immigrant’s Journey From Afghanistan to Sweden
Lady Gaga’s NYFCC Win is A Travesty
I agree with many of the choices made today by the New York Film Critics Circle, even the ones I wasn’t so warm on had some kind of merit and substance-filled thinking behind them. All, except for Lady Gaga’s win for “House of Gucci.”
Read more‘Drive My Car’ Named Best Film of 2021 By New York Film Critics Circle
Ryusuke Hamaguchi’s exquisite “Drive My Car” pulled off a shocker win this afternoon. The New York Film Critics Circle Named Hamaguchi’s 3-hour opus the Best Film of the year.
Read moreSight and Sound Names ‘The Souvenir Part II’ Best Film of 2021
Sight & Sound‘s newly unveiled list of the best films of 2021 polled more than 100 voters.
Read morePaul Verhoeven’s Next Film Will Be the Erotic Thriller ‘Young Sinner’
Paul Verhoeven has his excellent “Benedetta” being released today, but the 83-year-old director isn’t slowing down.
Read more‘The Last Duel’ Topping VOD Charts
Despite its tepid box-office numbers, Ridley Scott’s “The Last Duel” is absolutely killing it on the iTunes movie charts. It’s currently the top rental of the week. I know a few people who finally saw the film over the weekend and absolutely loved it. Word-of-mouth is strong with this one.
Read more‘Licorice Pizza’ Wins NBR
Why is A24 Hiding ‘The Tragedy of Macbeth’?
I received the usual late-year FYC screeners from A24 earlier in the week, but a title was missing: Joel Coen’s “The Tragedy of Macbeth.” What gives?
Read moreThe Best Picture Race is Taking Shape
Everything has screened, I think. Unless “The Matrix Resurrections” of “A Journal for Jordan” turn out to be masterful. What are the chances of that happening?
Read more‘Nightmare Alley’: Guillermo del Toro’s Highly-Stylized Film Noir Lacks Realism and Substance [Review]
Guillermo del Toro’s “Nightmare Alley” screened for press last night. This is not a crowd-pleaser by any stretch of the imagination.
Read moreBerlin Film Festival Contemplating Delaying Event By Several Months
‘Disclaimer’: Alfonso Cuarón to Write and Direct Apple TV Mini-Series Starring Cate Blanchett
‘Cyrano’: Despite an Excellent Peter Dinklage, and To-Die-For Production Design, Familiarity Creeps In [Capsule]
You can direct the hell out a movie, like Joe Wright does with his musical “Cyrano,” and still miss the mark. Not to mention full-blooded performances from Peter Dinklage as Cyrano de Bergerac and the wonderful Haley Bennett as his secret crush.
Read more‘West Side Story’: 30% of the Dialogue in Spanish, But Spielberg Decided Not to Use Subtitles
I didn’t tackle this topic yesterday, if anyone has read some of yesterday’s reactions, Spielberg’s “West Side Story” was purposefully made to completely omit the English subtitles during the Spanish spoken scenes.
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“Paul is getting close to pressing the button on the next film, I believe, and I’m already trying to learn a new instrument that would be central to it,” Greenwood tells Screen Daily.