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Alex Gibney’s ‘Musk’ Flops at the Box Office With $290K Weekend, $614 Per-Screen Average

No official figure has been reported, but best guess is the budget landed somewhere in the $10M range. HBO pre-bought the streaming rights, but that was before David Ellison took over

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‘Michael’ Gets Standing Ovation at DGA Oscar Screening — Best Picture Nomination a Possibility?

This absolutely matters. That room was practically all Oscar voters. Fact remains, “Michael” was always going to contend for a best picture nomination, you just had to set your biases aside.

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Kevin Costner Isn't Giving Up on ‘Horizon’: “Ultimately We Are Going to Release Four Movies”

Back in May, a Warner Bros. source told me ‘Chapter 2’ wasn't coming out in 2026. It was “not in the plans.” The film has been finished for two years.

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Box-Office: ‘Whalefall' Bombs With $7M Opening on $60M Budget

Duffield's "Whalefall," the survival thriller about a diver swallowed by a sperm whale, is heading toward a roughly $7M-ish opening weekend, according to the most recent Saturday update.

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‘You Can See Everything' Headed For $15M Weekend, 2000+ Sellouts in Just 855 Theaters — The Five Best Moments. What Did You Think? Post Your Review!

So, those of you who went this weekend: what did you make of it? Where do you land on Holmes, and — most fascinatingly — on Billy Evans, her sniffling, controlling, weirdo husband?

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Telluride Lineup includes ‘The Debut,’ ‘Wild Horse Nine,’ ‘Tender Loving Care’ ‘Alpha Gang’ and ‘The Long Winter’

September 3, 2026 Jordan Ruimy

The 53rd Telluride Film Festival has officially dropped its lineup, and as usual, it’s a mix of world premieres, Venice/Cannes holdovers, and potential Oscar bait from some of cinema’s more respected filmmakers.

World Premieres will include Simon Stone’s “Elsinore,” Jesse Eisenberg’s “The Debut,” Mike Leigh’s “Tender Loving Care,” Andrew Haigh’s “A Long Winter,” The Zellner’s “Alpha Gang,” and Jennifer Peedom’s “Tenzing.”

Headed to Telluride, job at a few days after having premiered at Venice: “Ink,” “Bucking Fastard,” “Wild Horse Nine,” “Burgundy,” “Sumo,” “Everest,” and “My Undesirable Friends: Part II.”

More than 60 features, shorts, and revivals will screen over the Labor Day weekend (September 4 – 7). Full lineup below.

  • ACT 3 (d. Christine Molloy, Joe Lawlor, Ireland/U.K., 2026)

  • ALPHA GANG (d. David Zellner, Nathan Zellner, U.S., 2026)

  • AVEDON (d. Ron Howard, U.S., 2026)

  • BUCKING FASTARD (d. Werner Herzog, Ireland/U.S., 2026)

  • BURGUNDY (d. Michael Dweck, Gregory Kershaw, France, 2026)

  • CARL SAGAN: WE ARE MADE OF STAR STUFF (d. Nanette Burstein, U.S., 2026)

  • CLUB KID (d. Jordan Firstman, U.S., 2026)

  • THE DEBUT (d. Jesse Eisenberg, U.S., 2026)

  • THE DISCIPLE (d. Joanna Natasegara, U.K./U.S./Morocco, 2026)

  • ELSINORE (d. Simon Stone, U.K., 2026)

  • EVEREST: THE OTHER SIDE (d. Elizabeth Chai Vasarhelyi, Jimmy Chin, U.S./China/Nepal, 2026)

  • FATHERLAND (d. Paweł Pawlikowski, Poland/France/Germany/Italy, 2026)

  • FJORD (d. Cristian Mungiu, Romania/France/Norway/Sweden/Denmark, 2026)

  • GENTLE MONSTER (d. Marie Kreutzer, Austria/Germany/France, 2026)

  • THE IDIOT(S) (d. Małgorzata Szumowska, Michał Englert, Poland/Germany, 2026)

  • INK (d. Danny Boyle, U.K./U.S./France, 2026)

  • LA BOLA NEGRA (d. Javier Ambrossi, Javier Calvo, Spain/France, 2026)

  • THE LIBERATION (d. Guy Nattiv, U.S., 2026)

  • A LONG WINTER (d. Andrew Haigh, UK, 2026)

  • MAKING MARIE ANTOINETTE (d. Sofia Coppola, Italy/U.S., 2026)

  • THE MAN I LOVE (d. Ira Sachs, U.S., 2026)

  • MINOTAUR (d. Andrey Zvyagintsev, France/Germany/Latvia, 2026)

  • MY UNDESIRABLE FRIENDS: PART II – EXILE (d. Julia Loktev, U.S., 2026)

  • ONCE UPON A TIME IN HARLEM (d. David Greaves, Liani Greaves, U.S., 2026)

  • THE ONLY LIVING PICKPOCKET IN NEW YORK (d. Noah Segan, U.S., 2026)

  • PETE TOWNSHEND: BEHIND BLUE EYES (d. Frank Marshall, Nigel Sinclair, U.S./U.K., 2026)

  • REHEARSALS FOR A REVOLUTION (d. Pegah Ahangarani, Czech Republic/Spain, 2026)

  • ROSE (d. Markus Schleinzer, Austria/Germany, 2026)

  • THE ROW (d. Bryan Fogel, U.S./Australia/Ireland, 2026)

  • THE STORY OF DOCUMENTARY FILM (d. Mark Cousins, Scotland/U.K., 2026)

  • SUMO: SPIRIT WEIGHS NOTHING (d. Erik Shirai, U.S./Japan/U.K./Denmark, 2026)

  • TENDER LOVING CARE (d. Mike Leigh, U.K., 2026)

  • TENZING (d. Jennifer Peedom, U.S./Australia, 2026)

  • THE UNKNOWN (d. Arthur Harari, France/Italy, 2026)

  • WILD HORSE NINE (d. Martin McDonagh, Chile/U.S., 2026)

← ‘Bucking Fastard’ is Bucking Bad [Venice]Monica Barbaro and Margaret Qualley in the Mix for Tom Holland’s Fred Astaire Biopic →

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