In Leigh Whannell’s “The Invisible Man,” Cecilia (Elisabeth Moss) is victimized by her narcissist sociopathic husband, Adrian (Oliver Jackson-Cohen), even after his death. It all amounts to a metaphorically-driven B-movie filled with Cronenberg-ian dread throughout its, let’s be clear, overlong 124-minute runtime, but the most ingenious aspect of the film is how Whannell manages to tell the story of a victim nobody believes.