In Leigh Whannell’s “The Invisible Man,” Cecilia (Elisabeth Moss) is victimized by her narcissist sociopathic husband, Adrian (Oliver Jackson-Cohen), even after his death. It all amounts to a metaphorically-driven B-movie filled with Cronenberg-ian dread throughout its, let’s be clear, overlong 124-minute runtime, but the most ingenious aspect of the film is how Whannell manages to tell the story of a victim nobody believes.
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.