Director Kelly Reichardt, bless her maverick heart, is one of the great American filmmakers of the last ten years, what with a track record that speaks for itself ("Wendy and Lucy," "Meek's Cutoff," "Certain Woman") and a contemplative, minimalist and distinctive style that is meant to isolate mainstream audiences.
Read moreWill Quentin Tarantino Re-Edit ‘Once Upon A Time in Hollywood' Before Its Release?
By all accounts, Quentin Tarantino’s “Once Upon A Time in Hollywood” was met with a distinctive shrug by the Cannes jury, as the Alejandro Gonzalez Inarittu-led crew gave the film zero awards during the closing night ceremony. However, American critics seem to really like the movie, judging by its 88 Metascore and a 94% on Rotten Tomatoes. And yet, all people seemed to be wanting to talk about, which I refused to cover given how much I loved the film and didn’t want this overshadowing it, was the now-infamous press conference, where Tarantino got visibly upset when someone asked about the film’s “violence against women” and Margot Robbie’s lack of screentime (QT’s now infamous reply “I reject your hypothesis!”).
Read more‘Once Upon a Time … in Hollywood' Review: Tarantino's Latest is Brilliant, Ambitious and Personal Filmmaking —Cannes
Quentin Tarantino was just 6 years old and living in Los Angeles when Charles Manson sent his gang of toxified flower children to murder Tate and four others at the home she shared with husband Roman Polanski. At the time of her death, she was eight-and-a-half months pregnant. There is absolutely no chance that Tarantino doesn’t remember that time, even at a young age. The Manson murders are credited as changing the landscape of American society and culture.
Read moreNotes: Cannes 2019 Lineup Includes Malick, Almodovar, Dardennes and Dolan
Summer Movie Preview: 14 Big-Studio Movies That Could Astonish
As I researched the films that will be splattered on-screen nationwide between late April and August, I found major hope, a real grab-bag of potential big-studio treats. Surprising? Yes, especially considering that I have been critical of the summer movie season the last few years, at least ever since superhero movies changed the way studios greenlit their films. However, this year, there’s actually hope for artistic breakthroughs.
Read moreCannes 2019: Jarmusch Confirmed as Opener. Larrain's ‘Ema' Bought by Netflix. Tarantino Might Not Make it in Time.
We’re getting down to the final hours when it comes to the Cannes Film Festival. Speculating these past few months has been fun, but, when all is said and done, the official lineup announcement is set to happen on April 18th. However, a few breaking items for your convenience on this Wednesday afternoon.
Read moreTrailer for Quentin Tarantino's “Once Upon A Time In Hollywood"
It’s finally here.
Read morePoster for Quentin Tarantino's upcoming ‘Once Upon a Time in Hollywood'
The film takes place in 1969 and stars Leonardo DiCaprio as Western TV actor that, alongside his trusty stunt double, played by Brad Pitt, is seeing his star fade and tries to keep hold of his crumbling TV career. Oh, and they also live next door to Sharon Tate (Margot Robbie) — the film takes place the same year the actress, Roman Polanski’s late wife, was brutally murdered by members of Charlie Manson’s cult.
Read moreQuentin Tarantino's ‘Once Upon a Time … in Hollywood’ Has New Photos
The questions remains as to exactly what kind of film Quentin Tarantino is making with the upcoming "Once Upon A Time in Hollywood." The film will either be a) an absurdist revisionist genre film like 'Inglourious' and 'Django' or it'll be b) A film grounded in the dark, realist violence of "Reservoir Dogs," "Jackie Brown" and "Pulp Fiction." Something tells me it's the latter. QT has even mentioned that '‘Once Upon A Time’ is “probably the closest to ‘Pulp Fiction’ that I have done.”
Read more'Once Upon A Time in Hollywood' Cinematographer says Quentin Tarantino's Latest is "Humorous, Serious, Spooky and Playful"
The questions remains as to exactly what kind of film Quentin Tarantino is making with the upcoming "Once Upon A Time in Hollywood." The film will either be a) an absurdist revisionist genre film like 'Inglourious' and 'Django' or it'll be b) A film grounded in the dark, realist violence of "Reservoir Dogs," "Jackie" and "Pulp Fiction." Something tells me it's the latter. QT has even mentioned that '‘Once Upon A Time’ is “probably the closest to ‘Pulp Fiction’ that I have done.”
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Zobel broke out with "Compliance" (excellent) and "Z for Zachariah" (fine) before building an excellent prestige TV résumé: "The Leftovers," "Westworld," "Mare of Easttown," and most recently, "The Penguin."