Director Kelly Reichardt, bless her maverick heart, is one of the great American filmmakers of the last ten years, what with a track record that speaks for itself ("Wendy and Lucy," "Meek's Cutoff," "Certain Woman") and a contemplative, minimalist and distinctive style that is meant to isolate mainstream audiences.
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The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.