“Dogman” turns out to be a kind of David vs. Goliath story. Described as an urban western, while the drama does possess traces of Eastwood’s early no-frills gut-punches, it’s also very much a B-movie soaked in horror and revenge. It finds director Mateo Garrone back in fine form and mostly, at the height of his game; the allure of his monstrous antagonistic character is undeniable and he earns extra credit for creating one of the most reprehensible movie villains in recent memory.
Read more‘Dogman’: Matteo Garrone’s Back With Ferocious Bite [Cannes Review]
I had a real kick watching Matteo Garrone's crime film 'Dogman," which was one of the very best movies playing in contention at this year' festival. My full review at The Playlist.
The short version: "Woman Unknown" was a compromise. The jury deadlocked over "Possible Love" and "NAZA," not able to com to terms, fell back on their #3, May el-Toukhy's film.