I wrote this about Mateo Garrone's "Dogman" back at 2018's Cannes Film Festival:
“Dogman” turns out to be a kind of David vs. Goliath story. Described as an urban western, while the drama does possess traces of Eastwood’s early no-frills gut-punches, it’s also very much a B-movie soaked in horror and revenge. It finds director Mateo Garrone back in fine form and mostly, at the height of his game; the allure of his monstrous antagonistic character is undeniable and he earns extra credit for creating one of the most reprehensible movie villains in recent memory. This is a malicious breed that looks at the seed of violence through another lens; not the pervasive malignancy of mafia corruption (like the director’s previous “Gommorah”), but a rather an unsettling, malevolent individual perpetrating his own brand of terror. A hyper-realistic urban tragedy “Dogman” is ferocious and in its own way, much more frightening than “Gomorrah.”
“Dogman” will be in theaters April 12, 2019.
There have even been fan petitions circulating to convince Netflix to bring it back. Maybe those fan petitions should have been directed at Fincher instead.