My favorite film of the Cannes Film Festival, and of the year so far, has been Lee Chang-Dong's "Burning," which, so it happens, is a damn-near miraculous achievement. I would go as far and say I've never really seen anything quite like it. The cinematic movement happening right now in Korea is quite special.
Bar none, the best movie I saw at the last Cannes Film Festival. There wasn't even debate. Why? Because I don't think I've ever seen a movie quite like the genre-morphing "Burning." Even if it uses many of the enticing tropes of a whodunit drama, it feels incredibly fresh. Some of the filmmaker coming out of South Korea these days are utterly fascinating.
My full review for The Playlist.
Brady Corbet's “The Origin of the World,” his X-Rated epic about "Northern California’s economy" in the 1970s epic, has now started production in South Africa under the working title “SALT FLATS.”