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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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What Are You Seeing This Weekend? ‘Godzilla Minus Zero,' ‘Wild Horse Nine,' ‘La Bola Negra' Expands, ‘Club Kid,' ‘I Play Rocky' & ‘Possible Love'

This is an open discussion thread. Tell us what you're seeing Friday to Sunday, what you thought of it, and what's still on your list. This weekend you have plenty of options.

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007 Surprise! Robert Pattinson Screen Tested for James Bond

Yep, Robert Pattinson has screen tested to play James Bond, according to "multiple sources" who spoke to THR. He joins the already-reported trio of Callum Turner, Jack Lowden and Josh O'Connor.

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‘1408’ Sequel Is Happening With Sam Jackson, John Cusack, Elijah Wood and Natalia Dyer

Cusack has been open about this being the one sequel he'd ever do. Last year he told People he'd never had the urge to make sequels, but "1408" interested him, partly because, in his words, "most movies suck."

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James Bond: Two Mystery Stars Secretly Tested For 007, Per THR

This week, two different UK tabloids named two different actors, Jack Lowden and Josh O'Connor, as the chosen one. That follows last week's claim that Callum Turner had been cast as 007, which tells you just how in the dark everybody is.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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A24 Unleashes Trailer for Nathan Fielder's Elizabeth Holmes Doc ‘You Can See Everything'

September 23, 2026 Jordan Ruimy

A24 has rolled out the trailer for "You Can See Everything," the Nathan Fielder and Lance Oppenheim documentary that went from total secret to the most talked-about title at Telluride in a single night.

The 174-minute film, which centers on Elizabeth Holmes, arrived alongside its Telluride premiere to wild reactions. Now, with a New York Film Festival screening upcoming, and a firm release date locked in, the campaign is officially underway.

The trailer is every bit as unnerving as the earlier teaser: deeply disquieting, with strange lighting, extreme close-ups, and odd eye contact, all made more uncanny by the fact that this is apparently the real Holmes. Her presence is unsettling, especially her wide-eyed stare and a single tear she seems to shed on command. I recommend reading as little as possible about this film as it apparently has many surprises in store for the viewer.

The setup is as strange as anything Fielder has attempted. According to the NYFF synopsis, the film was made in secret over four years, beginning when Holmes and her partner, William "Billy" Evans, invited Fielder into their home to live with them and start recording just 34 days before her incarceration. The couple profess her innocence, and the festival's description teases the question of whether it's all an elaborate ruse — or something even stranger.

“I don’t have anything to deceive you on,” Holmes tells Fielder in the trailer. “Of course I’m not deceiving you. I’m engaging with you as a human being. Why would I deceive you? There’s no reason for me to do that.”

A24 reportedly greenlit the film with no guarantee it would ever be released and didn't announce it until the night it premiered at Telluride.That Telluride unveiling paid off. The film became an instant sensation, drawing strong buzz, enthusiastic reviews and immediate Oscar talk, and it currently sits at 95 on Metacritic. Fielder himself seems no less baffled than audiences. At the post-screening Telluride Q&A, moderated by Emma Stone, he said he still doesn't quite know what he went through, and that the question of why Holmes and Evans wanted him there messed with his head.

There's also the matter of what, exactly, this film is. Some have suggested roughly half the runtime is documentary and the other half is …something else entirely, prompting questions about whether it qualifies as a full-fledged doc. A24, for its part, has asked me to refer to the film as a "documentary" rather than a "hybrid."

A24 has set an October 16 theatrical release. The film is also a key piece of the distributor's awards push. A24 appears intent on campaigning hard, with a potential Oscar slate that also includes "The Debut," "The Invite," and "Club Kid.”

← ‘Godzilla Minus Zero’ Is Rated R, a First for the Franchise in Its 70-Year History‘Ray Gunn' Trailer! Brad Bird's Sci-Fi Noir Finally Arrives After 30 Years — Netflix Sets December 4 “Limited” Release →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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