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Ridley Scott's ‘Treasure Island' Sets November 11, 2027 Release via Sony

The film will star Hugh Jackman, while Hugh Grant and Owen Cooper are circling roles. Jack Thorne, who is red-hot, thanks to his acclaimed Netflix series’ "Adolescence” and “Lord of the Flies,” wrote the script.

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‘Verity' is 45% Rotten, but Colleen Hoover Fans Won’t Care: Box Office Tracking Points to $35M Opening

Hoover is a hot literary name, and that means "Verity" is currently projected to open to around $24M this weekend, which would be a solid result for a mid-budget adult thriller.

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Paramount-WBD Merger Gets Final Approval, Deal Set to Close Next Week

Paramount is now aiming to close the deal on Tuesday, October 6. That's when, after months of drama, twists and turns, the merger will become official.

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Alejandro G. Iñárritu Says ‘Digger’ Was Originally Titled ‘BLAH, BLAH, BLAH’

The title was ultimately changed because it was "too long" and "too complicated," though I suspect Warner Bros. was just horrified by the thought of selling a $180M movie with a title that sounds like an eye-roll.

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Zack Snyder Is Waiting for His ‘Rebel Moon’ Movies to “Get a Little Bit More Popular" and “Discovered” for Part 3 to Happen

Zack Snyder, whose 'The Last Photograph' still has no US distribution, doesn't sound so confident about 'Rebel Moon 3' ever happening, or that there's truly any demand for it.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Variety Defends Owen Gleiberman’s ‘Supergirl’ Review as Backlash Fuels “Sexist” Claims

July 1, 2026 Jordan Ruimy

“Supergirl” opened to a disappointing $65M worldwide in its first four days despite a reported $170 million–$186M budget, putting the film on track to become a major box-office flop.

According to Page Six Hollywood’s sources, the bigger story emerging from the opening weekend wasn’t the financial performance, but the backlash surrounding veteran film critic Owen Gleiberman’s negative review for Variety.

Gleiberman drew criticism for describing the screenplay as “a comic-book movie with the worst script I can remember” and comparing Milly Alcock to “Kristy McNichol crossed with the Feral Kid from ‘The Road Warrior’ in oversize Penny Lane sunglasses.” Variety responded by standing firmly behind its critic, stating that it “has a long history of supporting our critics and encouraging them to express their honest and independent points of view,” adding that it fully stands by Gleiberman and his review.

The review quickly triggered a wave of criticism online, with commentators accusing Gleiberman of “sexism” and objecting to his description of Alcock. Headlines circulating in response included claims such as “You Don’t Have to Like ‘Supergirl’ But Writing a Sexist Review Just Makes You Gross” and “Supergirl Deserves Better Than the Current Media Feeding Frenzy.”

Page Six calls this a “sinister smear campaign,” with rumors circulating that someone from Milly Alcock’s camp may have helped amplify at least one of the critical articles, including claims that characterized Gleiberman as being in his “late 60s” with a reputation for “being out of touch.” A representative for Alcock, speaking to Page Six, denied any involvement in spreading those claims.

The controversy escalated further after reports emerged that at least one writer involved in criticizing Gleiberman had previously accepted an all-expenses-paid set visit to “Supergirl” in London, fueling accusations of conflicts of interest.

Several film critics speaking to Page Six Hollywood defended Gleiberman and pushed back on the backlash. One argued that the Kristy McNichol comparison was harmless and said, “Kristy McNichol is awesome… I don’t think they’re unfair analogies,” while another dismissed the outrage as “embarrassing,” adding that organized pressure campaigns against critics have been building for years.

The latest episode follows a growing pattern in which critics face increasing pushback from talent and fan communities.

Page Six points to recent examples involving Paget Brewster telling a critic “You suck” before later apologizing, Taylor Sheridan responding to critics with “F–k ’em,” and Seth Rogen suggesting critics should consider the emotional impact of their reviews.

Meanwhile, at least one author behind the anti-Gleiberman coverage has continued the campaign, publishing another article asking, When Will Trade Publications Learn From Their Mistakes and Stop Doubling Down?

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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