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Eli Roth Admits ‘Ice Cream Man’ Used AI After Previously Saying It Didn’t: “I Misspoke”

The film arrives unrated, set to screen in 2,000+ theaters this weekend, but is already plagued by disastrous early reviews, amounting to a 29% score on Rotten Tomatoes.

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Paramount’s Warner Bros. Deal Could Get $1.3 Billion More Expensive as Judge Sets Worst-Case-Scenario March 2027 Trial

The judge in the antitrust suit against Paramount’s proposed acquisition of Warner Bros. has set the trial for March, rather than the November date Paramount requested. That is catastrophic for David Ellison.

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James Cameron Is Ready to Move on From ‘Avatar’ and Tell “Other Stories”: “I’m Mapping Out the ‘Last Act’ of My Career”

In a new interview, James Cameron admits that he is considering which other stories he wants to tell, beyond Avatar, adding that he’s mapping out the “last act” of his career.

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Emily Wilson Doubles Down, Says Christopher Nolan’s ‘The Odyssey’ Is “Visually Stunning, Emotionally Empty”

Apparently, Wilson isn’t done attacking Nolan’s The Odyssey. In fact, she seems outright pissed, publishing a new The Atlantic op-ed where she even slams the film’s $69.99 popcorn bucket

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David Ellison: Paramount-WBD Merger Backlash Is “Not Really About” Antitrust — It’s About CNN

David Ellison believes the legal backlash over his Warner Bros. merger is “not really about market share,” and not driven primarily by concerns over market competition, but by politics.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Doug Liman’s ‘Star One’ Sets Miles Teller and Eddie Redmayne for CIA Thriller

May 6, 2026 Jordan Ruimy

Here’s another hot package (via Variety). Miles Teller and Eddie Redmayne are in talks to star in “Star One,” a spy thriller directed by Doug Liman and set to be introduced to buyers at Cannes.

The film, written by David Coggeshall, follows two mismatched CIA agents—Teller as a charismatic, risk-taking operative and Redmayne as a disciplined strategist—who must collaborate on a high-stakes mission transporting arms through thousands of miles of hostile territory, framed as the untold story of a rare intelligence award tied to a significant but little-known modern operation.

Liman is currently shooting the controversial movie “Bitcoin,” which features AI-generated backgrounds and stars Casey Affleck, Gal Gadot, and Pete Davidson—yeah, they’re really asking for it with that one. Regardless, I would assume “Star One” or “Edge of Tomorrow 2” will be next up for Liman.

Unless …Liman’s long-gestating underwater thriller “Deeper,” starring Tom Cruise, which hit choppy waters last year when it was shelved by Warner Bros. over a staggering $275M budget request, finds a new home—which is what Cruise is currently trying to do over at Paramount.

And really, maybe it’s just pure nostalgia for the days when Hollywood actually cranked out filmmakers whose bread and butter were adult dramas and thrillers, but Liman is certainly one of the rare ones left still getting these projects greenlit.

I’ve always had a soft spot for Liman. His career has had its fair share of stumbles—“Jumper,” anyone?—but he’s never been one to take the straight path. From the sharp, talky rhythms of “Swingers” to the kinetic action of “The Bourne Identity,” the chaotic energy of “Go,” the sci-fi theatrics of “Edge of Tomorrow,” and the underrated double bill of “American Made” and “The Wall,” Liman has been nothing but consistent in an uncertain time for his kind of filmmaking.

← Adrien Brody’s First Post-Oscar Role Is Karim Aïnouz’s ‘Last Dance’ with Rachel Zegler and Ben Platt — Is It the Right Career Move?Matt Shakman to Direct ‘Planet of the Apes’ Reboot, Not a ‘Kingdom’ Sequel →

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‘The Odyssey’ Review: Christopher Nolan’s Epic Is a Flawed but Astonishing Spectacle — Rave Reviews Confirm Best Picture Frontrunner

There is something undeniably powerful about a film that swings this hard, that embraces myth, spectacle, and the strange dream logic of ancient storytelling.

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Aaron Sorkin’s ‘The Social Reckoning’ Gets Reshoots, Won’t Premiere at Venice Film Festival

About a month ago, Variety published a piece saying that “The Social Reckoning” was being submitted to the Venice Film Festival. I can confirm now that will definitely not be happening.

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Joel Coen’s ‘Jack of Spades’ Delayed to 2027

The film stars Josh O’Connor, Lesley Manville, Frances McDormand, and Damien Lewis, but no plot details have been revealed. All we know is that it’s a “gothic mystery” set in 1880s Scotland.

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Christopher Nolan’s Place in Cinema History: Genius, Overrated, or Something In Between?

Nolan has changed what a modern blockbuster can be, and that alone is a significant legacy. The bigger question is whether he has truly transformed cinema itself, or simply reinvented the blockbuster.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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