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Meghan Markle Dropped From Guy Ritchie’s ‘The Gentlemen’ Just 24 Hours After Casting Reports

Not more than 24 hours later, Guy Ritchie’s role offer to Markle has now reportedly been withdrawn. The story goes that they don’t want her in the show anymore “after intense backlash in the U.K.”

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‘Teenage Sex and Death at Camp Miasma’ Eyes $1.3M Weekend in Wide Expansion — Post Your Review!

Now that “Camp Miasma” has reached a wider rollout, what did our readers think of the film? Does it deserve all the raves it’s been getting? I’ll give it a rewatch soon, but for now, I’m in the mixed camp.

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‘National Treasure 3’ Is Finally Happening, 20 Years Since Last One — Nicolas Cage Will Return

The sequel will arrive more than 20 years after the original and nearly two decades after “National Treasure: Book of Secrets,” with Turteltaub returning to direct.

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‘Cliffhanger’ Reboot Sets February 24, 2027 Release

That $100M budget is a steep investment for a movie without conventional A-list headliners — unless Lily James and Pierce Brosnan fit that description for you.

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Mark Ruffalo Accuses Ellisons of “Genocide,” Paramount Calls Remarks “Antisemitic”

Something tells me Mark Ruffalo won’t be starring in a Paramount movie again anytime soon. Ruffalo is now accusing the Ellison family of complicity in “genocide,” escalating his already fierce merger opposition.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Box Office: ‘Mandalorian’ Opens Soft at $79M, ‘Michael’ Nears $800M, “Obsession” Surges 39%, ‘I Love Boosters’ Bombs

May 24, 2026 Jordan Ruimy

UPDATE: Looks like ‘Mandalorian’ opened softer than expected. Disney now saying $79M instead of $82M.

Oh, and “Obsession” actually surged by 39% this weekend, and it could go even higher by Monday as ticket sales exceeding expectations. This is turning into one of the biggest box office stories of the decade.

EARLIER: The numbers are in, and “The Mandalorian and Grogu” tally for the three-day weekend came in at around $81M. It might hit $98M on Monday with Memorial Day receipts. That’s indeed lower than “Solo” numbers.

About “Solo: A Star Wars Story,” it ultimately opened to $84M over three days and $103M over the four-day Memorial Day frame — numbers considered disappointing for the franchise at the time.

By the way, “The Devil Wears Prada 2” might end up making more than “The Mandalorian and Grogu” when all is said and done — an odd win for Disney — as it’s just passed the $600M worldwide mark.

Meanwhile, “Michael” is now at $314M in the US and $782M worldwide — the billion-dollar mark is not off the table. Lionsgate says a second and maybe even a third movie is happening. The first one ended in 1988. What if they again skirt the accusations in the sequel by just tackling 1988 to 1993? Remember, the accusations against Jackson only surfaced after that timeframe.

There are tons of hits to tackle between ’88 and ’93 — “Smooth Criminal” and “Man in the Mirror” among them. At least that’s what I would do — tackling the molestation allegations in the trilogy capper will be such a headache for everyone involved.

Meanwhile, as previously reported, “Obsession” increased by 30% in its second frame by earning $20M over the three-day weekend. Movies aren’t supposed to grow from week to week, but this one somehow did — thanks to word of mouth. “Obsession” cost under $1M to produce and has so far amassed $74M worldwide.

That’s the good news in the indie world. The bad news is that Boots Riley’s “I Love Boosters,” Neon’s most expensively produced film ever at $20M, only managed to earn $3.7M this weekend. Back in March, Neon boss Tom Quinn had “high ambitions” for the film, believing it was “going to be a film that plays throughout the year, not just in its first window this summer.”

The film garnered a wide enough theatrical release — 1,750+ theaters — but reviews were merely good, not nearly as enthusiastic as those for Riley’s last film, “Sorry to Bother You.”

← ‘Hell Grind’: “First Ever AI Feature Film” Screens at Cannes MarketSebastian Stan Confirms He’ll Play Two-Face in Matt Reeves’ ‘The Batman: Part Two’ →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

Today, “Dune: Part Three” tickets went on sale, this time non-premium formats were made available, and it was all accompanied by a brand-new teaser—and the footage is stunning.

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What is David Fincher’s Best Film? 100+ Critics Say, No Contest, It’s ‘Zodiac’

We managed to gather 118 ballots from critics, programmers, filmmakers, and scholars. Each was asked to submit a single title, the one they believe to be the best of Fincher’s filmography.

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Francis Ford Coppola’s ‘Glimpses of the Moon’ (Apparently) Starts Production This Month in Italy

Coppola has described “Glimpses” as a “strange 30s-style musical.” No cast has been announced. The film is a loose adaptation of Edith Wharton’s novel, “inspired” by Leo McCarey’s “The Awful Truth.”

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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