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Alma Har’el’s ‘Wet’ Acquired by Lionsgate: Starring Javier Bardem, Rebecca Ferguson, Connor Storrie, Odessa A’zion and Rosalia

It’s been seven years since Alma Har’el’s feature debut, “Honey Boy,” which was written by and starred Shia LaBeouf — she is now set to direct her next film, with a very talented cast.

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Quentin Tarantino Fired Isabelle Huppert From ‘Inglourious Basterds' for Skipping the Table Read

Imagine firing Isabelle Huppert from your movie. One of the great actresses of all time, the woman behind "The Piano Teacher," "La Cérémonie" and "Elle," dropped because she missed a table read.

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Park Chan-wook Says ‘The Brigands of Rattlecreek' is “Very Violent” and the “Most Brutal” Film He's Ever Made

Are we really that surprised? The original draft was written by S. Craig Zahler, the guy behind "Bone Tomahawk," "Brawl in Cell Block 99" and "Dragged Across Concrete."

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Francis Lawrence Calls James Gunn “An Impediment” to ‘Constantine 2,’ Says He's “More Hopeful" Now That They're Gone

James Gunn wrote on Instagram this week that he was "incredibly relieved" to be out at DC Studios. Turns out he's not the only one.

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Jim Caviezel Was “Heartbroken” When Mel Gibson Recast Jesus in ‘The Resurrection of the Christ'

For 20 years, the assumption was that whenever Mel Gibson got his "Passion of the Christ" sequel off the ground, Jim Caviezel would be front and center.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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‘Obsession’ Eyes Strong $15M Weekend After $2.6M Preview Start”

May 15, 2026 Jordan Ruimy

“Obsession,” Curry Barker’s feature debut, was acquired by Focus Features last year out of TIFF for around $15M. It looks like that’s basically how much it’s going to earn this opening weekend.

Barker’s film, which sits at 79 on Metacritic, nabbed $2.6M in previews on Thursday and is headed towards a $15M weekend, maybe more if word of mouth manages to spread fast enough through Sunday.

In fact, even though “Obsession” will be this weekend’s biggest debut, the box office is so stacked at the moment that it might finish at #4. “Michael” and “The Devil Wears Prada 2” will actually be fighting for #1 — can you imagine “Michael” retaking the top spot in its fourth week of release? That is actually a very likely scenario.

Regardless, and back to Barker, “Obsession” only cost $10M to make, and he’s already shot his next film for Focus, with a planned ‘Texas Chainsaw’ reboot also lined up at A24. The kid’s hot. He’s another YouTube breakout transitioning to cinema. Barker is behind 2024’s $800 DIY movie “Milk & Serial” (2M views and counting), and with “Obsession” he delivers a horror-comedy hybrid that’s incredibly unnerving.

“Obsession” is part awkward rom-com, part psychological horror. The story revolves around Bear (Michael Johnston), a shy kid who can’t confess his feelings to his childhood friend Nikki (Inde Navarrette). Instead, he purchases a toy from an antique store that grants one wish. Nikki falls for him instantly, and hard—but under a curse that flips affection into full-on stalker-mode mania.

Navarrette is the real standout here—her performance is deranged, hilarious, and terrifying all at once. She wails, grins, and stalks with a commitment that borders on possessed psychopathy.

I expect “Obsession” to have some major legs. This is the type of film today’s horror crowd craves — the kind where friends tell friends to go see it.

← Sam Raimi to Direct ‘Magic’ Remake at Lionsgate, Reuniting With ‘Send Help’ WritersAll of a Sudden Is a Dense, Three-Hour Test of Ryusuke Hamaguchi’s Cinema [Cannes] →

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Cannes 2027: Spitball #1 Includes Scorsese, Östlund, Bong, Chazelle, Nichols, Payne, Haynes, Weerasethakul — and Yes, Malick (Again)

If you've read this column for a while, you know the drill: I spitball Cannes every month from now until April, updating the latest intel and trying to figure out what will be in competition, vying for the Palme d'Or.

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James Gray Takes Aim at Letterboxd, First Reactions, Star Ratings and Tomatometers: ‘2001’ Would Probably Be Rotten If Released Today”

James Gray is taking aim at the instant gratification that's infected film discourse, including social media first reactions, and Letterboxd. Oh, and he hates Rotten Tomatoes.

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Brian De Palma's ‘Sweet Vengeance,' His First Film in 8 Years, Might Have a Cut Ready by February

Pino Donaggio confirmed he'll score De Palma's next feature, "Sweet Vengeance." It would be their ninth film together, a partnership that dates back 50 years to "Carrie."

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Ari Aster's ‘Scapegoat' Has Started Shooting in New York City

Darius Khondji is back behind the camera as DP. That's a pairing that should give this thing Aster’s usual very specific, unnerving texture. Bobby Krlic is back to compose his fourth straight Aster movie.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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