• Yearly Top Tens
  • Interviews
Menu

World of Reel

Street Address
City, State, Zip
Phone Number
Home
IMG_7239.jpeg
Uwe Boll’s ‘Citizen Vigilante’ Hits No. 1 on Amazon and No. 2 on Apple TV
IMG_7233.jpeg
‘They Follow’: Disasterpeace Returning to Score David Robert Mitchell’s Sequel
IMG_7230.webp
A24 Sets Re-Release of Kane Parsons’ ‘Backrooms’ With 15 Minutes of New Footage
IMG_7227.jpeg
Kevin Spacey Says Netflix Needs to “Grow Up” and Release ‘Gore’: “It’s One of the Best Films I’ve Ever Done”
IMG_7226.jpeg
Robert Eggers' ‘Werwulf' Has A Trailer!
Featured
Capture.PNG
August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

August 19, 2019

World of Reel

  • More
    • Yearly Top Tens
  • Interviews

‘Obsession’ Eyes Strong $15M Weekend After $2.6M Preview Start”

May 15, 2026 Jordan Ruimy

“Obsession,” Curry Barker’s feature debut, was acquired by Focus Features last year out of TIFF for around $15M. It looks like that’s basically how much it’s going to earn this opening weekend.

Barker’s film, which sits at 79 on Metacritic, nabbed $2.6M in previews on Thursday and is headed towards a $15M weekend, maybe more if word of mouth manages to spread fast enough through Sunday.

In fact, even though “Obsession” will be this weekend’s biggest debut, the box office is so stacked at the moment that it might finish at #4. “Michael” and “The Devil Wears Prada 2” will actually be fighting for #1 — can you imagine “Michael” retaking the top spot in its fourth week of release? That is actually a very likely scenario.

Regardless, and back to Barker, “Obsession” only cost $10M to make, and he’s already shot his next film for Focus, with a planned ‘Texas Chainsaw’ reboot also lined up at A24. The kid’s hot. He’s another YouTube breakout transitioning to cinema. Barker is behind 2024’s $800 DIY movie “Milk & Serial” (2M views and counting), and with “Obsession” he delivers a horror-comedy hybrid that’s incredibly unnerving.

“Obsession” is part awkward rom-com, part psychological horror. The story revolves around Bear (Michael Johnston), a shy kid who can’t confess his feelings to his childhood friend Nikki (Inde Navarrette). Instead, he purchases a toy from an antique store that grants one wish. Nikki falls for him instantly, and hard—but under a curse that flips affection into full-on stalker-mode mania.

Navarrette is the real standout here—her performance is deranged, hilarious, and terrifying all at once. She wails, grins, and stalks with a commitment that borders on possessed psychopathy.

I expect “Obsession” to have some major legs. This is the type of film today’s horror crowd craves — the kind where friends tell friends to go see it.

← Sam Raimi to Direct ‘Magic’ Remake at Lionsgate, Reuniting With ‘Send Help’ WritersAll of a Sudden Is a Dense, Three-Hour Test of Ryusuke Hamaguchi’s Cinema [Cannes] →

FOLLOW US!

No results found

Trending

Featured
IMG_6753.jpeg
‘Project Hail Mary’ Tops World of Reel’s Midyear Critics Poll, as Voted by 100+ Critics
77A3495A-3028-4EF4-997B-1FFC576CA5E0.jpeg
Steven Spielberg’s Best Films, According to 100+ Critics
Capture.PNG
What’s the Best Four-Film Run by a Director?
IMG_6348.jpeg
Clint Eastwood Turns 96 as Son Kyle Says the Legendary Director Has “Retired”

World of Reel RSS

Critics Polls

Featured
IMG_4965.jpeg
Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics
Capture.PNG
Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s
Capture.PNG
Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants
B16BAC21-5652-44F6-9E83-A1A5C5DF61D7.jpeg
Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll
 

SEND NEWS TIPS

Summary Block
This block is invalid. Please check the block settings and try again.
Featured
Aenean eu leo Quam
World of Reel tagline.PNG
 

Content

Contribute

Hire me

 

Support

Advertise

Donate

 

About

Team

Contact

Privacy Policy

Site designed by Jordan Ruimy © 2025