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Michael De Luca and Pamela Abdy Out at Warner Bros. as ‘Digger’ Hits Theaters

The decision has reportedly been made, though David Ellison apparently hasn't delivered the news to them directly yet. Those calls are expected by Tuesday morning.

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‘Dune: Part Three' Holds First Screenings, and Early Word is “Very Positive”

After this weekend, when “Artificial” and “Behemoth!” screen at NYFF, there won’t be many Oscar contenders left unseen. In fact, by my count, there are just two: ‘Cliff Booth,’ and “Dune: Part Three.”

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Walton Goggins Joins ‘Miami Vice ‘85’

Joseph Kosinski's "Miami Vice '85" has added Goggins to a cast that includes Michael B. Jordan, Austin Butler, John Leguizamo, Alden Ehrenreich, Whitney Peak, Camila Morrone, Andrew Schulz, and Danny Ramirez.

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‘Rush Hour’ Gets USA Trigger Warning for Being “Outdated”

USA Network has added a trigger warning before Brett Ratner's "Rush Hour.” The warning cautions viewers that some of the film's depictions, language and humor may come across as outdated or offensive.

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Confirmed: Bradley Cooper to Star as Duke in Danny McBride’s G.I. Joe Movie

Chris Hemsworth, who originally had the lead role, has dropped out of Danny McBride’s “G.I. Joe” reboot, for undisclosed reasons, and been replaced by Bradley Cooper.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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J.J. Abrams’ Bad Robot Is Scaling Down After That $250M Warner Bros. Deal Failed to Produce Anything

April 3, 2026 Jordan Ruimy

It looks like Bad Robot is entering a very different chapter.

J.J. Abrams’ once high-flying production banner is scaling things down, shutting its Los Angeles office, and shifting operations to New York, where Abrams is now based. Not long ago, this company felt like its own mini-studio. That version of Bad Robot doesn’t really exist anymore.

The transition follows the sale of their longtime Santa Monica headquarters, which went for $31M back in November. The downsizing didn’t happen overnight either — they’d already been trimming staff over the last few years. At its peak, that building was packed with hundreds of employees, including their in-house VFX arm, Kelvin Optical.

It’s hard not to look at this through the lens of that massive Warner Bros. deal. The studio famously handed Abrams a $250M overall agreement, and yet the output since then has been… sparse. There’s a sense that a lot of money went out the door.

Abrams does still have projects in the pipeline. There’s “The Great Beyond,” starring Glen Powell, slated for a November release. However, early test screening chatter hasn’t been particularly encouraging. They’re also producing “The End of Oak Street,” starring Ewan McGregor and Anne Hathaway — another Warner-backed production. On the TV side, Abrams recently produced “Duster” for HBO Max with Josh Holloway, which ended up getting canceled.

Ironically, Bad Robot’s biggest recent success didn’t even come from Warner. It was “Presumed Innocent” for Apple, which quietly became a hit and helped put Chase Infiniti on the map. It’s telling that the company’s most notable win in years came outside the studio that invested so heavily in them.

Of course, this is still the same company that once dominated both TV and film. Founded in 1999, Bad Robot was behind landmark television like “Alias” and “Lost,” and later had a hand in “Westworld.” On the film side, early successes included John Dahl’s underrated “Joy Ride” (2001), followed by “Cloverfield” (2008) and Abrams’ own “Star Trek” reboot (2009). After Abrams directed “Mission: Impossible III” in 2006, Bad Robot went on to co-produce the next three installments in that franchise. They also produced “Star Wars: The Force Awakens” and “Star Wars: The Rise of Skywalker,” both directed by Abrams.

Still, the current downsizing suggests a company in transition. The industry has changed, the output has slowed, and Bad Robot now seems to be a shell of itself.

← Box-Office: ‘The Drama’ Earns $1.7M in Thursday Previews, ‘Super Mario’ $24M, ‘Project Hail Mary’ $4.6M, ‘Hoppers $1MZach Cregger’s ‘Resident Evil’ Tests Strong: 90-Minute Reboot Described as ‘Fury Road’ for Horror →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

This is the adaptation of the nonfiction book by Dan Schilling and Lori Longfritz. It wrapped production in February and has been in post-production ever since. The film test-screened a few months ago.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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