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Ouch: Fincher's ‘Cliff Booth' Loses Roughly 150 Screens as Regal, Cinemark "Politely Decline" Its Two-Week IMAX Run

Remember when, back in August, we learned “The Further Mis-Adventures of Cliff Booth” would be playing in only around 350 U.S. theaters, "maybe fewer"? Well, it's fewer. A lot fewer.

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Michael Douglas Says Jack Nicholson, 89, Is “Not Working Any More" and Has “Disappeared"

While James L. Brooks teased last year that "we'll soon be seeing" Jack Nicholson, 89, act again, and that he was "reading scripts," that idea has now been shut down by his close friend Michael Douglas, 82.

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Karyn Kusama to Direct ‘Mouthwashing’ Movie for Sony, ‘The Invitation’ Writers to Pen Script

Sony has acquired the feature film rights to "Mouthwashing," the acclaimed psychological horror game. The studio has hired Kusama to direct, and she will bring her most reliable writers, Matt Manfredi and Phil Hay, with her.

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Sir Patrick Stewart, 86, Has Died

A real shocker. There are some people you think will live forever, and Sir Patrick Stewart was one of them. The legendary actor has passed away at the age of 86. We’ve lost one of the greats.

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Ken Russell's ‘The Devils' Extends Theatrical Run Indefinitely (!) After $3.3M Box Office Surprise

Nobody expected a 55-year-old NC-17 movie to be one of the surprise box office stories of the fall. Yet here we are, and this absolutely puts a smile on my face.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscar Ratings Sink 9% to 17.8M Viewers as Cultural Relevance Continues to Decline

March 17, 2026 Jordan Ruimy

The 98th Academy Awards, held on Sunday, attracted 17.86 million viewers, and this is across both ABC and Hulu, continuing the trend of declining audiences for major awards shows.

This represents a roughly 9% drop from last year’s post-pandemic high of 19.69 million viewers and marks the smallest Oscars audience since 2022, when 16.68 million tuned in, according to Nielsen’s combined big data and panel ratings.

Many Americans just don’t care about the Oscars anymore, and they can also just watch the highlights on YouTube the next day. Even more concerning, the show is losing its core “loyal” audience, aged 50 and over, who grew up going to the movies but are now more into streaming content at home. If they haven’t seen the movies nominated, then why would they even care who wins?

Isn’t it telling how, just ten years ago, in 2016, Oscar ratings reached nearly 35 million viewers? When compared to last night’s telecast, that’s an audience loss of 17 million.

As much as I adore them, movies just aren’t as culturally relevant as they used to be. One can remember a time when Best Picture winners such as “Gladiator,” “Titanic,” “The Silence of the Lambs,” “Forrest Gump,” “The King’s Speech,” “Braveheart,” and “Dances with Wolves” were actually seen by millions upon millions of Americans. Now? “CODA”? “Nomadland”? “EEAAO”? “Anora”? Even this year’s Best Picture winner, “One Battle After Another,” only made $72M in North America—and lost Warner Bros. over $100M. Most films that have won, let alone been nominated this decade, haven’t been able to crack popular culture in the same way the others mentioned did. Furthermore, of the last thirteen Best Picture winners, only one has cracked $100M+ at the domestic box office—that’s “Oppenheimer.”

It used to be that movie fans worldwide would, with much anticipation, tune into the Oscars—and, for that matter, almost any awards show. The glitz! The glamour! Waiting to see what film wins Best Picture also meant something, both culturally and historically. Not as much anymore.

It doesn’t help that people used to watch awards shows for the stars. The problem is that today’s movie stars are very different: it would be kind of hard to get Captain America, Spider-Man, Iron Man, and Doctor Strange to walk down the red carpet in their spandex suits… unless Evans, Holland, Downey, and Cumberbatch are game to do that.

We are a society oversaturated with celebrity content via social media, where seeing “content” on YouTube or Netflix, is the main source of entertainment, and thus there’s no excitement in seeing movie stars—whichever few that remain—celebrate each other’s accomplishments. Don’t get me wrong, cinema, in all its forms, will last, but where its impact will be positioned culturally, 10 or 20 years from now, remains to be seen

← Damien Chazelle’s Next Film Starts Shooting in Greece, Stars Cillian Murphy, Daniel Craig and Michelle WilliamsFanboys Demand Damon Lindelof’s Head After ‘Green Lantern’ Joke →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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