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Ben Affleck’s ‘Animals’ Has A Trailer

Following “Air,” this is Affleck’s latest stint behind the camera. He has cast himself in the lead role, alongside Kerry Washington, Steven Yeun, and Gillian Anderson (“The X-Files”).

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Jim Caviezel Returns to Studio Movies with Sony's ‘Ghost Soldier' — His First Hollywood Movie Since 2014

Caviezel hasn't led a major studio release since TriStar's "When the Game Stands Tall" in 2014. That changes in November with Sony's "Ghost Soldier."

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‘River': Horror Movie Sells to Universal and Blumhouse for $10M+ TIFF 2026’s First Big Deal

Still no distributor for "Bucking Fastard," "Alpha Gang," "The Last Photograph," "Closing Night," and "The Life and Deaths of Wilson Shedd." The issue seems to be quality more than a lack of willingness to buy.

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

Jeremy Saulnier’s mysterious A24 project, formerly “October,” still has no release date. You’d think, given that it has been in post-production for almost a year now.

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‘Minotaur' Trailer: Andrey Zvyagintsev's Cannes Grand Prix Winner Gets November Release from MUBI

"Minotaur" won the Grand Prix at Cannes. A two-time Oscar nominee who already has the Golden Lion for "The Return," Best Screenplay at Cannes for "Leviathan," and the Jury Prize in 2017 for "Loveless.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Oscar Ratings Sink 9% to 17.8M Viewers as Cultural Relevance Continues to Decline

March 17, 2026 Jordan Ruimy

The 98th Academy Awards, held on Sunday, attracted 17.86 million viewers, and this is across both ABC and Hulu, continuing the trend of declining audiences for major awards shows.

This represents a roughly 9% drop from last year’s post-pandemic high of 19.69 million viewers and marks the smallest Oscars audience since 2022, when 16.68 million tuned in, according to Nielsen’s combined big data and panel ratings.

Many Americans just don’t care about the Oscars anymore, and they can also just watch the highlights on YouTube the next day. Even more concerning, the show is losing its core “loyal” audience, aged 50 and over, who grew up going to the movies but are now more into streaming content at home. If they haven’t seen the movies nominated, then why would they even care who wins?

Isn’t it telling how, just ten years ago, in 2016, Oscar ratings reached nearly 35 million viewers? When compared to last night’s telecast, that’s an audience loss of 17 million.

As much as I adore them, movies just aren’t as culturally relevant as they used to be. One can remember a time when Best Picture winners such as “Gladiator,” “Titanic,” “The Silence of the Lambs,” “Forrest Gump,” “The King’s Speech,” “Braveheart,” and “Dances with Wolves” were actually seen by millions upon millions of Americans. Now? “CODA”? “Nomadland”? “EEAAO”? “Anora”? Even this year’s Best Picture winner, “One Battle After Another,” only made $72M in North America—and lost Warner Bros. over $100M. Most films that have won, let alone been nominated this decade, haven’t been able to crack popular culture in the same way the others mentioned did. Furthermore, of the last thirteen Best Picture winners, only one has cracked $100M+ at the domestic box office—that’s “Oppenheimer.”

It used to be that movie fans worldwide would, with much anticipation, tune into the Oscars—and, for that matter, almost any awards show. The glitz! The glamour! Waiting to see what film wins Best Picture also meant something, both culturally and historically. Not as much anymore.

It doesn’t help that people used to watch awards shows for the stars. The problem is that today’s movie stars are very different: it would be kind of hard to get Captain America, Spider-Man, Iron Man, and Doctor Strange to walk down the red carpet in their spandex suits… unless Evans, Holland, Downey, and Cumberbatch are game to do that.

We are a society oversaturated with celebrity content via social media, where seeing “content” on YouTube or Netflix, is the main source of entertainment, and thus there’s no excitement in seeing movie stars—whichever few that remain—celebrate each other’s accomplishments. Don’t get me wrong, cinema, in all its forms, will last, but where its impact will be positioned culturally, 10 or 20 years from now, remains to be seen

← Damien Chazelle’s Next Film Starts Shooting in Greece, Stars Cillian Murphy, Daniel Craig and Michelle WilliamsFanboys Demand Damon Lindelof’s Head After ‘Green Lantern’ Joke →

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Joaquin Phoenix Reuniting with Mike Mills for Next Film, Shooting in January 2027

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Cinephiles another Todd Field movie, and although we might have to wait for his next directorial effort, “The Girls” will have to suffice for now.

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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