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Warner Bros' Clockwork Survives Paramount Merger

Clockwork — Warner Bros’ A24-style indie labels— has new films from Sean Baker, Park Chan-wook, Noah Baumbach and Sean Penn set to enter production in 2027.

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Jonathan Glazer Confirms He's Writing His Next Film

Glazer directed just four features in 25 years: "Sexy Beast" (2000), "Birth" (2004), "Under the Skin" (2013) and "The Zone of Interest" (2023). That last one won the Grand Prix at Cannes and two Oscars.

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‘The Batman Part II’ Pauses Production as Matt Reeves Steps Away for Personal Reasons

Cameras had been rolling in London since May. The film is dated for February 18, 2028, and sources say it's too early to know whether the stoppage will push that.

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‘Sicario 3': Emily Blunt, Benicio del Toro and Josh Brolin to Star; Padraic McKinley (‘The Weight’) to Direct, Steven Knight Writing

Padraic McKinley, who directed this year's "The Weight," is on board to direct from a script by Oscar nominee Steven Knight, suggesting Taylor Sheridan's original draft has been set aside.

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Jeremy Strong Doesn't Feel He Needs to Apologize for His Method: "A Lot of the Reactions to It Are of a Personal Nature"

Jeremy Strong sat down with The New Yorker and got asked whether his much-talked-about method approach is bad for a set — he isn’t backing down.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kevin O’Leary Thinks ‘Marty Supreme’ Should Have Ended in Misery, Death, and With … Vampires?

January 6, 2026 Jordan Ruimy

You couldn’t make this up if you tried: A24 recently set up a Best Supporting Actor campaign for Kevin O’Leary — Mr. Wonderful himself — and his performance in “Marty Supreme.” Does he have a shot at garnering a nomination? Probably not, but he’s still very good in the film.

In “Marty Supreme” O’Leary plays “the richest man in America in 1952.” Gwyneth Paltrow is his unfaithful wife. Timothee Chalamet is the “other man” that come between them. It’s stunt casting, but it works quite well.

Regardless, the “Marty Supreme” Oscar campaign has been wild — and I don’t even need to tackle Chalamet’s gonzo promo tour. However, O’Leary is certainly giving him a run for his money as the most unhinged member of the cast.

The latest O’Leary moment has to do with his gripes about the ending of the film, which — SPOILER ALERT — sees Marty coming off a plane from Japan, where he sabotaged a plan concocted by O’Leary’s character, he runs straight to the hospital, and ends up holding his newborn child, tears streaming down his face, overwhelmed, terrified, euphoric.

“I told them I was really unsatisfied with the ending, for my character to get fucked over like that. This kumbaya ending is absurd,” O’Leary says. (He circles back to this frustration five or six separate times throughout our conversations.) O’Leary feels that Marty “fucked everybody” in his relentless quest for ping pong success, and “why should he not live a life in misery in perpetuity after that?”

O’Leary argued that the consequences shouldn’t stop with Marty alone, but extend to his partner Rachel, portrayed by Odessa A’Zion. He proposed a grim turn in which Rachel would die during childbirth:

Rachel has to die. She has to die in childbirth […] I know that sounds nuts, but to me that would be the right punishment.

This is actually one of the least unhinged things O’Leary has stated in his promo tour. One example, he also revealed that he personally wanted his character, Milton Rockwell, to literally be a vampire who bites Marty by the end of film, and even got dental molds made for fangs during production — though the idea was ultimately dropped.

On a podcast, O’Leary also claimed “Marty Supreme” could have saved “millions of dollars” if scenes with lots of background performers had been done with AI‑generated extras, since they’re “only in the story visually.” He later backtracked on those comments.

← Warner Bros. Discovery Rejects Paramount’s Latest Offer: “Inferior” To Netflix DealZach Cregger Can’t Stop Raving About ‘One Battle After Another’: “Oh My God!” →

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CONFIRMED: Sadie Soverall Exits Brady Corbet's ‘The Origin of the World' Mid-Shoot, Lily McInerny Steps In Lead Role

Sadie Soverall was just let go after briefly filming on Corbet's new film — no official reason given. She had the lead role. Corbet has replaced her, last minute, with Lily McInerny.

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Ron Howard’s ‘Alone at Dawn’ Starring Adam Driver and Anne Hathaway Sets Christmas 2027 Release

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Jeremy Saulnier’s Next Film Retitled to ‘Slayground,’ Current Runtime is 2.5 Hours, Plot Details

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Jemima Kirke and Alexi Wasser to Star in Woody Allen's Next Film

A few months ago, Deadline reported that Woody Allen's next film, set in Madrid and carrying a $14M budget, will be "largely English-language" and feature a "high-profile cast."

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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