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Josh Brolin Says ‘Sicario 3’ Is “Happening” and Will Shoot “Soon” — But Who’s Directing?

This is a significant update for a project that has been stuck in development for years, and comes roughly a year after Brolin said “Sicario 3” was a maybe.

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‘The Odyssey’ Hits VOD, 4k Blu-Ray Release on November 17 — Exactly 120 Days After Theatrical Release

Nolan’s “Oppenheimer” followed a similar four-month window, landing on digital and physical media at the same time. Universal also waited until roughly a month before making it official.

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Box-Office: ‘The End of Oak Street’ Stumbles as ‘Insidious: Out of the Further’ Eyes $25M Opening, ‘Spider-Man: Brand New Day’ Holds No. 1

The big wide release this weekend is “Insidious: Out of the Further,” backed by Sony and Blumhouse. This is the sixth ‘Insidious’ movie, and since they are made cheaply, it won’t be the last.

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Michael Showalter Is Remaking ‘Serendipity’ for Amazon/MGM— But He Insists It’s a “Rebuttal” Not A “Remake”

Michael Showalter (“The Big Sick”) is teaming up with Amazon/MGM to direct a “modern retelling” of the 2001 romantic comedy “Serendipity.” Marc Klein, who wrote the original film, is writing the script.

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Peter Berg’s ‘The Mosquito Bowl’ Sets October 30 Theatrical Release, November Netflix Premiere

The theatrical rollout for “The Mosquito Bowl” is for Oscar eligibility, as the film will play in select AMC theaters during its run, along with additional locations across the country.

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August 19, 2019
3-Hour ‘Midsommar' Director's Cut Screened in NYC
August 19, 2019

This year’s 12th edition of the Scary Movies festival at Film at Lincoln Center premiered Ari Aster’s extended version of “Midsommar” this past Saturday.

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August 19, 2019

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Kevin O’Leary Thinks ‘Marty Supreme’ Should Have Ended in Misery, Death, and With … Vampires?

January 6, 2026 Jordan Ruimy

You couldn’t make this up if you tried: A24 recently set up a Best Supporting Actor campaign for Kevin O’Leary — Mr. Wonderful himself — and his performance in “Marty Supreme.” Does he have a shot at garnering a nomination? Probably not, but he’s still very good in the film.

In “Marty Supreme” O’Leary plays “the richest man in America in 1952.” Gwyneth Paltrow is his unfaithful wife. Timothee Chalamet is the “other man” that come between them. It’s stunt casting, but it works quite well.

Regardless, the “Marty Supreme” Oscar campaign has been wild — and I don’t even need to tackle Chalamet’s gonzo promo tour. However, O’Leary is certainly giving him a run for his money as the most unhinged member of the cast.

The latest O’Leary moment has to do with his gripes about the ending of the film, which — SPOILER ALERT — sees Marty coming off a plane from Japan, where he sabotaged a plan concocted by O’Leary’s character, he runs straight to the hospital, and ends up holding his newborn child, tears streaming down his face, overwhelmed, terrified, euphoric.

“I told them I was really unsatisfied with the ending, for my character to get fucked over like that. This kumbaya ending is absurd,” O’Leary says. (He circles back to this frustration five or six separate times throughout our conversations.) O’Leary feels that Marty “fucked everybody” in his relentless quest for ping pong success, and “why should he not live a life in misery in perpetuity after that?”

O’Leary argued that the consequences shouldn’t stop with Marty alone, but extend to his partner Rachel, portrayed by Odessa A’Zion. He proposed a grim turn in which Rachel would die during childbirth:

Rachel has to die. She has to die in childbirth […] I know that sounds nuts, but to me that would be the right punishment.

This is actually one of the least unhinged things O’Leary has stated in his promo tour. One example, he also revealed that he personally wanted his character, Milton Rockwell, to literally be a vampire who bites Marty by the end of film, and even got dental molds made for fangs during production — though the idea was ultimately dropped.

On a podcast, O’Leary also claimed “Marty Supreme” could have saved “millions of dollars” if scenes with lots of background performers had been done with AI‑generated extras, since they’re “only in the story visually.” He later backtracked on those comments.

← Warner Bros. Discovery Rejects Paramount’s Latest Offer: “Inferior” To Netflix DealZach Cregger Can’t Stop Raving About ‘One Battle After Another’: “Oh My God!” →

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Good/Great Movies That Don't Deserve Their “Rotten" Scores

These 31 titles clearly have their share of detractors — that’s why they’re “rotten” — and I expect some people to question a few of these picks. That’s fine. However, I believe most are strong films, worth reevaluating.

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‘Dune: Part Three’ Reportedly “Blew Away" Warner Bros. With Rough 3-Hour Cut as New Teaser Stuns

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Critics Polls

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Fritz Lang’s ‘M’ Tops the Best Films of the 1930s, According to 100+ Critics

We’ve gone through the decades. The ‘40s ‘50s, ‘60s, ‘70s, ‘80s, ‘90s, ‘2000s, and ‘2010s. — all revisited, argued over. Now, here are the results for the best films of the 1930s.

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Critics Poll: ‘Citizen Kane' Named Best Film of the 1940s

The results are in, and according to critics, this decade filled with cinematic riches did not have a better film than Orson Welles’ “Citizen Kane.” Nobody should be surprised by this result. “Citizen Kane” changed cinema forever.

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Critics Poll: ‘Vertigo’ Named Best Film of the 1950s, Over 120 Participants

It was a closer race than anticipated, but Alfred Hitchcock’s “Vertigo” has topped our best of the ’50s poll, besting Gene Kelly and Stanley Donen’s “Singin’ in the Rain” by just two votes.

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Critics Poll: Kubrick’s ‘2001: A Space Odyssey’ Tops Our 1960s Critics Poll

We’ve already covered the 1970s, 1980s, 1990s, 2000s, and 2010s. Now we have the results for the Best Films of the 1960s.

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